Spiritual Affects against a Secularist Grid

Referencing the title of Wendy K. M. Shaw’s essay ‘Islamic Geometries: Spiritual Affects Against a Secularist Grid’, this seminar engages with the field and notion of ‘Islamic art’ in the context of the 20th and 21st centuries to address key issues facing us today, including secularism, decolonisation and approaches to diversity. It foregrounds the museum as a public site in which these issues play out and examines the meanings of the ‘Islamic’ in a contemporary context. By exploring the entangled legacies of orientalism and nationalism in art history, the event also raises questions around the secularity of the museum space. The seminar critically considers whether new approaches and new kinds of literacy and visuality are needed in the museum space. The discussions take a transnational approach to look at the way ‘the Islamic’ and ‘Islamic art’ as a subfield have been framed and evoked in contexts ranging from Western Europe, West Asia, Central Asia and North Africa. The seminar brings together a diverse range of practitioners and thinkers, including artists, academics and curators, to share their different frameworks, strategies and experiences.

Speakers include: Leeza Ahmady, Alexandra Dika Seggerman, Saodat Ismailova, Mirjam Shatanawi, Nur Sobers Khan, Mollie Arbuthnot, and Slavs and Tatars.

Organisers: Hyundai Tate Research Centre: Transnational and the Research Center for Material Culture

Image credit line: Monir Shahroudy Farmanfarmaian, Something Old Something New , 1974. © Estate of Monir Shahroudy Farmanfarmaian. Photo: Tate

Host or Publisher Research Center for Material Culture