Sounds of the Zodiac (SALT New Music Festival

Name: Sounds of the Zodiac (SALT New Music Festival
Start: 2024-09-16T19:30:00-07:00
Location: Phillip T. Young Recital Hall

Schedule

Mon Sep 16 2024 at 07:30 pm

UTC-07:00

Location

Phillip T. Young Recital Hall | Victoria, BC

Sounds of the Zodiac - concert of the SALT New Music Festival
September 16, 2024 7:30 p.m.
UVic Phillip T. Young Recital Hall
Duo Inquietum –
Liam Hockley, clarinets
Mark Takeshi McGregor, flutes
PROGRAM
Karlheinz Stockhausen: TIERKREIS (12 Melodien der Sternzeichen) (1974-75)
Arranged for Duo Inquietum by Liam Hockley (2020, rev. 2024)
1. Autumn
TIERKREIS: Libra
Wolf Edwards: Libra (2022)
TIERKREIS: Scorpio
Wolf Edwards: Scorpio (2022)
TIERKREIS: Sagittarius
Wolf Edwards: Sagittarius (2022)
2. Winter
TIERKREIS: Capricorn, Aquarius, Pisces
Annette Brosin: Winter (2021-22)
3. Spring
TIERKREIS: Aries, Taurus, Gemini
Anna Pidgorna: The Stockhausen Menagerie (2022)
I. Right-Winged Aries Bird
II. Left-Winged Aries Bird
III. The Martian Robin
IV. The Taurus Warbler
V. Gemini Wren
4. Summer
TIERKREIS: Cancer, Leo, Virgo
Hiroki Tsurumoto: equipo de sonido 2 (2022)
TIERKREIS: Libra (reprise/finale)
Entrance is free but you need to book your free ticket. We are grateful for donations.
It’s perhaps slightly ironic that the German post-war composer Karlheinz Stockhausen—author of what are arguably of the most ambitious and complex staged works ever created in the Western classical music canon—is often remembered for a series of short melodies that the composer himself once described as “cheerful, empty-headed little tunes.” While certainly short and often cheery, his TIERKREIS: 12 Melodien der Sternzeichen (ZODIAC: 12 Melodies of the Star Signs) are anything but empty-headed. These twelve character pieces, named after the twelve signs of the Zodiac, were originally composed for music boxes, each inspired by “the characters of children, friends, and acquaintances who were born under the star signs”.
Stockhausen intended for performers to develop unique interpretations of TIERKREIS: in performance, each star sign’s melody (and accompaniment) is repeated 3 or 4 times and varied to “make the [melodies’] structures clearly perceivable, and to make them interesting for listeners.” In addition to varying the character of each star sign (through variation in dynamic, articulation, orchestration, and colour), interpreters can also highlight their unique pitch, interval, and rhythmic structures. Over the course of his life, Stockhausen completed eleven arrangements of TIERKREIS for various ensembles ranging from voice and piano to full orchestra, and used the melodies as the basis for his proto-operatic work SIRIUS (1975-77).
The arrangement you’ll hear (by clarinettist Liam Hockley) is grouped into the four seasons; these were presented to Canadian composers Wolf Edwards, Annette Brosin, Anna Pidgorna, and Hiroki Tsurumoto as the basis for four new works that re-envision the seasons, climate change, astrology, and even Stockhausen himself through a uniquely 21st century lens.