Sound Thought Unplugged: Signe Emmeluth, Simone Seales & Finnolah

Sound Thought presents a triple bill of acoustic experimental performances by Signe Emmeluth (saxophone), Simone Seales (cello) and Finnolah (guitar). Join us in the renovated warehouse space of the Pipe Factory to listen to and explore its acoustic resonance.

Please be aware the space is on the third floor and only accessible via stairs.

This will be a seated event with chairs, cushions, and soft furnishings available.

There is no bar so will be running BYOB. £5 corkage per person for alcoholic drinks - please refrain from bringing any glass!

£8 Advanced tickets, or £10 on the door - no one turned away for lack of funds, PWYC initiative in place.

Special tote bag bundle available for £13.50 per ticket is also available. The tote bags were made by Glasgow Badges, a local sustainable company in Glasgow.

Signe Emmeluth is a Danish saxophone player and composer currently based in Oslo. With a sharp and unique tone her playing is easily recognized. Melodies with rapidly changing octaves and a shift between the naive and playful to brutal primal screams are some of what makes up Signe Emmeluth’s vocabulary. Emmeluth has lately become a rising voice of improvised music in the Nordic countries with her own quartet Emmeluth’s Amoeba. She has worked with people like John Edwards, Mats Gustafsson, Paal Nilssen-Love, Mette Rasmussen and is seen in different versions of Trondheim Jazz Orchestra.

Originally from Florida, Simone Seales is a Glasgow-based cellist and performance artist. They focus on free improvisation, both tonal and atonal, poetry, and devising music for theatre. Through their collaborative and creative process, they prioritize play, silliness, and connection. Simone is passionate about exploring sound, how sound can reflect emotional states of being and how emotions are embodied. Their creative influences come from Black feminist leaders such as Audre Lorde, Assata Shakur and bell hooks. Within Simone's creative work, they centre Blackness, sexuality, intersectional feminism and anti-racism. They believe Western Classical musicians are capable of making meaningful social change.

Finnolah is a musician writing and playing for themselves and others, living in Glasgow. Their practice revolves around an embrace of their entire musical life - from startings in Scottish traditional music in their Gaelic primary school, teenage angst represented through an electric guitar and bad riffs, to graduating from the Royal Conservatoire of Scotland, studying composition and guitar.

Host or Publisher Sound Thought