SoS 2025 - Damkapellet & Agnes Kofoed Christianson / Dirar Kalash / Eva Marklund

Schedule

Fri Nov 21 2025 at 06:30 pm to 10:00 pm

UTC+01:00

Location

Fylkingen | Stockholm, ST

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The Sound of Stockholm festival is back November 21–23, 2025, featuring some of the most current international and local artists in experimental, electronic, and contemporary music.
21/11 @ Fylkingen
DOORS 18:30
19:00 - Dirar Kalash
20:30 - Damkapellet & Agnes Kofoed Christianson
21:45 - Eva Marklund
Save on your ticket! You can buy a ticket at a reduced price if you are:
Student (with valid student ID)
Currently unemployed
Retiree/Pensioner
Member of one of Sound of Stockholm's member organizations
____
Festivalen Sound of Stockholm är tillbaka 21–23 november 2025 och bjuder på några av de mest aktuella internationella och lokala artisterna inom experimentell, elektronisk och samtida musik.
21/11 @ Fylkingen
DÖRRAR 18:30
19:00 - Dirar Kalash
20:30 - Damkapellet & Agnes Kofoed Christianson
21:45 - Eva Marklund
Spara på din biljett! Du kan köpa biljett till reducerat pris om du är:
Student (med giltigt studentkort)
För närvarande arbetslös
Pensionär
Medlem i en av Sound of Stockholms medlemsorganisationer
____

Dirar Kalash
Dirar Kalash is a Palestinian musician and sound artist whose work
spans a wide range of musical and sonic practices within a variety of instrumental, compositional and improvisational contexts. He is mostly known for his politically driven soundscape / electro-acoustic project "The Sonic Front", and the compositions "we can't breathe" and "by any means necessary (for Malcolm X).”
https://www.dirarkalash.info

Damkapellet & Agnes Kofoed Christianson
If Not Us is a performative work for acoustic instruments and performative musicians, composed for Damkapellet. In this piece, composer Agnes Kofoed Christianson explores the interwoven forms of interdisciplinary contemporary art music as an act of resistance, developed through a process-based collaboration with choreographer and dancer Maria Påhls and the ensemble.
Created in a time of genocide and war, the work seeks to explore the true meaning of resistance. It draws inspiration from the energy of anger and the conflict in Peter Weiss’ play Marat/Sade, asking whether “revolution” and the “self” can share common ground - or if they are, by nature, irreconcilable.

Damkapellet ensemble
Soprano - Josefine Weber Hansen
Violin - Julija Morgan
Viola - Tove Bagge
Cello - Nicole Hogstrand
Percussion - Irene Bianco
Composition - Agnes Kofoed Christianson
Choreography - Maria Påhls
Costume inspiration and consultation - Maja Svartåker and Ranin George Souliman
https://open.spotify.com/artist/5fNJYuCIKcgERXd4PACFNd?si=MT_fWpjyTvuvlSDOvXnnOg

Eva Marklund
EVA MARKLUND, EXACTLY LIKE YOU
En performance i flöjtdräkt med atmosfäriska toner i ett samtal med en vän.
"Jag är glad att du är tillbaka, jag trodde du var borta för alltid”
Samuel Beckett, I väntan på Godot
Eva Marklund: Komposition, instrumentkonstruktion
Eva Marklund is a visual artist based in Stockholm, Sweden. She holds MFA from the Royal Academy of Fine Arts in Stockholm and has also studied composition at Gotlands Tonsättarskola and chamber music at the Opera and Music Academy in Västerås with the French horn as her main instrument.
Her work has been shown in art halls and galleries around in Sweden and internationally. She is represented at Moderna Museet in Stockholm, Gävleborg County Museum, Eskilstuna Art Museum and in private collections. She has also completed a number of commissioned art projects.
In her latest works, she combines her different artistic fields performance, composition and sound, builds her own instruments and integrates them into spatial installations and compositions.
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Where is it happening?

Fylkingen, Söder Mälarstrand 27, SE-118 25 Stockholm, Sverige, Stockholm, Sweden

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