SOMMES-NOUS FOUS? soundart-electroacoustic action-exp.poetry-sound poetry-movement
Schedule
Fri, 12 Sep, 2025 at 07:00 pm
UTC+02:00Location
Kule | Berlin, BE
SOMMES-NOUS FOUS ?sound art - electroacoustic action -sound poetry/ exp.poetry - movement
Friday - September 12th
doors 18:30
start 19:00 sharp
end 00:00 sharp
at
Kunsthaus KuLe
Auguststraße 10
10117 Berlin
. . . Volume 6 of the series ETES-VOUS FOU[S] ? - now called SOMMES - NOUS FOUS ? during the berlin artweek 2025.
It is part of the simultaneous exhibition
< darkly pushed to the edge . . . >.
donations for the artists are welcome!!!!
". . . in recent years i have been particularly interested in
confrontation or mixture of different strategies in sound, poetry and action ... especially in an unfinished, process-like manner, associated with a certain risk , to provoke the unexpected special." u.m.
performances/actions by:
V i b r a k ū
Vibrakū (Tarufu and Ira Hadžić) is a duo whose name combines vibration and kuu—the Japanese word for emptiness—They perform a set featuring gong and bone conduction, objects
https://www.irahadzic.com/
https://www.tarufu.com/about
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B u r h a r d . B e i n s
Berlin sound artist with action for floor tom resonances & objects
https://www.burkhardbeins.de/
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S t o r i e s . I n . C o l o u r / Alan Layton
Born in London, he studied urban planning, then received training in vocal technique, music theory and bass guitar. After appearing at singer songwriter events in London he played bass in various bands, relocating to Berlin where he started Stories In Colour - a combination of sound collage and spoken word inspired by the urban studies. He has performed at various venues and festivals such as 48 Stunden Berlin, Fete de la Musique and Glemmingbro cultural festival in Sweden.
https://soundcloud.com/bill-bumpstead
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S a c h a . Ka h i r + U . M o e l l h u s e n
The two artists have been friends for years and perform together from time to time. Sacha lives in the UK and traveled to Berlin especially for this event. Their current piece will most likely be an action-packed happening consisting of strange voices, cut-up poetry ?, body sounds, amplified objects such as wooden sticks, aluminum, cardboard boxes and a lot of other stuff. played in the tension of physical action and audibility. U Moellhusen called it the CRISIS OF OBJECTS.
Here are some old, ultra lo-fi and non-representative examples from the archive of our collaboration :
https://elektroakustischegarage.bandcamp.com/album/demagnetisierte-generation-iii-2
https://elektroakustischegarage.bandcamp.com/album/wallstreet-poems
https://elektroakustischegarage.bandcamp.com/album/after-the-finishing-line
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A s t a . D.
poetry-sound-action
https://www.asta-d.online/about-asta-d
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D o r a . B l e u . & . E d i t h . S t e y e r
Dora Bleu: Slanted storytelling, deconstructed songs, vocal and guitar expressions
Edith Steyer: processed clarinet, electronic devices
https://www.edith-steyer.de/
https://soundcloud.com/dora-bleu
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V s e v o l o d . L i s o v s k y
major figure of conceptual theatre in Russia. After been held in prison under absurd pretexts he currently lives in South Germany.
He performs the poem "I Hate Blyat" . It will never be published. Each fragment of the poem is created at the moment of performance, and these fragments will never repeated. The author simply expresses his displeasure using an arbitrary rhythm and the single rhyme blyat-blyat. In Russian, blyat is a profanity and is used as an interjection, similar to the word "shit" in English.
https://ru-m-wikipedia-org.translate.goog/wiki/%D0%9B%D0%B8%D1%81%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9,_%D0%92%D1%81%D0%B5%D0%B2%D0%BE%D0%BB%D0%BE%D0%B4_%D0%AD%D0%B4%D1%83%D0%B0%D1%80%D0%B4%D0%BE%D0%B2%D0%B8%D1%87?_x_tr_sl=ru&_x_tr_tl=de&_x_tr_hl=de&_x_tr_pto=sc
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