SoDown: On The Air Vol 2 Tour @ Baltimore Soundstage - 4/3

Name: SoDown: On The Air Vol 2 Tour @ Baltimore Soundstage - 4/3
Start: 2026-04-03T20:00:00-04:00
Location: Baltimore Soundstage

Schedule

Fri, 03 Apr, 2026 at 08:00 pm

UTC-04:00

Location

Baltimore Soundstage | Baltimore, MD

SoDown: On The Air Vol II
Friday, April 3rd @ Baltimore Soundstage
Doors at 8pm [18+]
Tickets on sale now! https://www.ticketmaster.com/sodown-on-the-air-vol-2-baltimore-maryland-04-03-2026/event/15006383176DE9C3
SoDown Website:
http://www.sodown.com
SoDown Social Media:
https://www.instagram.com/sodownbassmusic/
https://www.facebook.com/sodownbassmusic
https://twitter.com/SoDownBassMusic
https://www.youtube.com/user/SoDownBassMusic
http://bit.ly/SoDown_Spotify
https://www.tiktok.com/@sodown
https://soundcloud.com/sodownbassmusic
It’s dark when you wake up, too dark to make out your surroundings, so your other senses begin to heighten in response. You smell incense and fresh earth. You feel a cool breeze on your bare skin (you must be outside…somewhere in the mountains, perhaps?). You hear the sound of a clock ticking, and then, a voice, faintly at first but louder each time until you can finally understand the mantra it’s repeating in your ear: Momento mori, momento vivere. Remember that you must die, remember that you must live.
“That’s what Worlds Beyond is all about,” says Ehren River Wright, the composer, multi-instrumentalist, and producer better known as SoDown. “It’s a reminder that our mortality is precisely what makes our lives so special, that there’s beauty in the fleeting nature of everything if we’re willing to embrace it.”
Recorded at Wright’s own studio in Denver, Colorado, Worlds Beyond marks the highly anticipated full-length debut from SoDown, who more than delivers on the promise of his early work with this bold, adventurous collection. Blurring the lines between the organic and the electronic, the music is both exhilarating and meditative all at once, equally at home on headphones as it is blasting out of a festival PA to a sea of thousands. Wright’s writing is deceptively sophisticated here, drawing on stoicism and Eastern philosophy in a search for some greater meaning and purpose, and his production is similarly ambitious, hinting at times to everything from dubstep and future bass to reggae and hip-hop through an intoxicating mix of live instruments and digital beats. Add it all up and you’ve got a rich, cinematic introduction to an endlessly curious artist with a knack for pushing boundaries, a compelling, conceptual joyride that manages to balance the visceral and the intellectual in perfect harmony as it grapples with life and death, darkness and light, struggle and transcendence.
“Music has always been a conduit to understanding the world around me,” says Wright. “It’s the human experience tattooed over time.”
In that sense, Wright’s been a metaphorical tattoo artist for most of his life now. Born and raised in Boulder, he became obsessed with music as a child and learned to play any instrument he could get his hands on. Saxophone took priority, but by his teenage years, Wright could hold his own on the guitar, cello, keyboards, and drums. In high school, he fell in love with underground hip-hop, reggae, and electronic music, and in 2010 he attended a Pretty Lights concert at Red Rocks that changed his life.
“I started going to shows every single weekend after that,” Wright recalls, “and that’s when I realized that I had ideas of my own that I wanted to explore. So I decided to drop out of college and focus all of my energy on making music.”
From there, Wright began releasing a series of singles and EPs that helped earn him a devoted following and rave reviews. SoDown concerts, which incorporate live saxophone into electrifying DJ sets, became must-see events in Colorado and beyond, and by 2017, Wright was onstage at Red Rocks himself, opening for Pretty Lights in the kind of cosmically perfect full circle moment you couldn’t plan if you tried. In the years since, Wright has headlined Denver’s Mission Ballroom twice, returned to Red Rocks for a sold out performance with Boogie T, supported Illenium at the Forest Hills Stadium in New York and the Bill Graham Civic Auditorium in San Francisco, and landed festival slots at Coachella, Electric Forest, Global Dance, Sonic Bloom, and more.