Sensory Innovations & Creativity in the Arts

10:30
Meet on the ground floor for refreshments

11:00
Taking place in the Seminar Room on the basement floor

11:10
Presented by Aaron McPeake (University of the Arts London), Dr Clare O’Dowd (Henry Moore Institute) and Ken Wilder (University of the Arts London)

11:30
Chaired by Dr Clare O’Dowd

‘Ekphrastic Inquiry as Cultural Democracy: Museum Visitors Engaging with Art through Creative Collaboration’
Rachel Carney, Cardiff University

‘Creative Ways of Accessing and Responding to Rural Landscapes, and Other Stories’
Ayesha Chouglay, writer and artist

‘Ensemble: audio description as art form’
Stephanie Farmer, Notting Hill & Ealing Girls’ School; Hettie James, The de Laszlo Archive Trust; and Joseph Rizzo Naudi, Royal Holloway, University of London

13:00
Served in The Studio on the second floor

14:00
Chaired by Aaron McPeake

‘The languages of disability: Audrey Barker’s multi-sensory installations’
Gill Crawshaw, independent curator

‘Behold! (a show about touch); experiments in multi-sensory mediation’
Sasha Galitzine, independent curator

‘Nose ahead – sensorial inclusivity and the ephemeral of olfactory sculptures’
Lara Schumacher, Heinrich Heine University, Düsseldorf

15:30

16:00
Chaired by Ken Wilder

‘Anamnesis: The Re-Membered Body’
David Johnson, artist/PhD candidate Royal College of Art

‘Challenging visual-centric interpretations of sculpture in UK Copyright Law’
Annaliese Wren, University of Bristol Law School

‘Haptic Technology and the Listening Body’
Tom White, artist

17:30
Served in The Studio on the second floor

Host or Publisher Henry Moore Institute