Richard Shindell with Laurelyn Dossett (Reserved Seats & SRO)

Richard Shindell lives as both an immigrant and emigrant, crossing thresholds, that informs his illumination of the human experience through narrative song. Shindell has inhabited a Zen Buddhist monastery and busked in the streets of Paris.

Originally from New York, now living in Buenos Aires, Argentina, Shindell is a writer whose songs paint pictures, tell stories, juxtapose ideas and images, inhabit characters, vividly evoking entire worlds along the way and expanding our sense of just what it is a song may be. Meticulously recorded over three years in New York and Buenos Aires, his most recent release, Careless, offered an ambitious, luxurious, full- length statement. Shindell immersed himself in the studio, allowing the time and latitude to explore, experiment, take risks—to play—as each of these eleven songs was given form and substance. While his signature acoustic guitar style is used to good effect, Careless also found Shindell plugging in more. “The wider sonic and dynamic range of the electric has been a real inspiration. Rejuvenating.”

During the pandemic, Shindell stayed in Argentina, out on the wide open Pampa, reading, writing, taking walks, doing a little experimental recording, and tending the garden. He now returns to the road for a limited number of performances. Innovative, original and occasionally spiritual, Shindell’s songs weave tales that interchangeably champion the downtrodden, exalt the disaffected or wax empathetic to those lost to society’s fringes. From lighthearted ballads and adulterous love songs, to dirges and diatribes that skillfully skewer politics, prejudice, war and religion, to the comic point-of-view of a cow stuck in a barbed wire fence, he has a unique ability to morph into the soul of the many and varied personalities he casts as narrators in certain songs—veritable novellas framed in haunting acoustic melodies.
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Laurelyn Dossett

Singer/songwriter Laurelyn Dossett lives and writes in the piedmont of North Carolina, and her songs tend to reflect the stories of the region, both traditional and contemporary. One of the most sought-after voices in creative collaborations, she co-founded Polecat Creek with singing partner Kari Sickenberger in 1997. Laurelyn is a frequent performer at regional music festivals such as Merlefest and has been a guest on the radio show Prairie Home Companion. She has toured with folk legend Alice Gerrard and songwriter Diana Jones, and premiered composer Kenneth Frazelle’s song cycle, “Songs in the Rear View Mirror,” in 2010, and has toured with the North Carolina Symphony in 2009 and 2011 and 2013.

In recent years Laurelyn has partnered with Triad Stage’s Preston Lane on five plays featuring regional folklore and original music: Brother Wolf (2006), Beautiful Star: An Appalachian Nativity (2006), Bloody Blackbeard (2008), Providence Gap (2010) and Snow Queen(2013). An adaptation of Bloody Blackbeard toured NC schools in 2009, and both Brother Wolf and Beautiful Star are published by Playscripts and have gone on to have professional productions in cities across the U.S. A song from Brother Wolf, “Anna Lee,” was featured on Levon Helm’s Grammy-winning record, Dirt Farmer, is included in the documentary film about Helm’s life, called “Ain’t in it for my Health,” and is featured on the 2011 Grammy-winning cd Levon Helm’s “Ramble at the Ryman.”

Commissioned by the North Carolina Symphony, Dossett and the symphony premiered her new song cycle, “The Gathering: A Winter’s Tale in Six Songs, in November 2011. She performed with singer and fiddler Rhiannon Giddens of the Carolina Chocolate Drops, legendary Nashville mandolinist Mike Compton, and North Carolina’s own banjo virtuoso, Joe Newberry. The accompanying cd, “The Gathering,” was released to critical acclaim, including top holiday picks from the Wall Street Journal, LA Times, and USA Today.
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