RATBOYS w/ Florry at Motorco Music Hall

Name: RATBOYS w/ Florry at Motorco Music Hall
Start: 2026-03-08T19:00:00-04:00
Location: Motorco

Schedule

Sun, 08 Mar, 2026 at 07:00 pm

UTC-04:00

Location

Motorco | Durham, NC

—andmoreagain presents
Ratboys
w/ Florry
at Motorco Music Hall
Durham, NC
doors 7pm // show 8pm
$20 adv // $23 day of show
Presale tickets on sale at 10am Sep 25 [code: andmoreagain]
General tickets on sale at 10am Sep 26
——
RATBOYS
Ratboys present a momentous new single, “Light Night Mountains All That,” and announce a North American tour.
This is the band’s first new music, and their first with New West Records, since The Window, one of the most-praised albums of 2023. The Window catapulted the band from being beloved to “feverishly fixatedupon” (Stereogum), and “Light Night Mountains All That” seizes that attention and doesn’t let it look away.
The Window received a wealth of critical praise from the likes of The New York Times, NPR Music, Rolling Stone, Billboard, Stereogum, and Uproxx, while Pitchfork called it "a level-up record" for the band. “Light Night Mountains All That” is singer/guitarist Julia Steiner’s most thrilling vocal take yet, bolstered by a powerhouse performance by guitarist Dave Sagan, drummer Marcus Nuccio, bassist Sean Neumann, and piano by track co-producer Chris Walla. The track, deemed their “wormhole jam” by Steiner, is driven by an unorthodox time structure, exhilarating instrumentation, and the flare of extraterrestrial guitar bloops.
In early 2026, Ratboys will perform across North America. As Paste praises, Ratboys have “a live chemistry that remains unparalleled and irreplaceable.”
・Listen: open.spotify.com/artist/1SoBNpuC0N4nvaQFENS0qf
——
FLORRY
The promise of a Florry show, a now familiar caravan that has been honed over ambitiously trekked zig zags across America and Europe since the release of Dear Life Records debut The Holey Bible, is the redemptive promise and prodigal joy of rock and roll guitar music.
Bred in the crackling warmth of the Philadelphia DIY scene, and forged with the alloys of community action, queer liberation and bedroom poetry, bandleader Francie Medosch and her absolute unit of collaborators have put in the work of sharpening their homespun tools to take up the mantle of the great lip-puckering rock and roll tradition pioneered by the likes of The Band and the Rolling Stones, but with proudly displayed Liz Phair and Silver Jews bumper stickers on the rusty frame of the truck. At any second, the wheels could come off but they are steering just ﬁne.
For ‘Sounds Like…’ Florry’s sophomore effort as a fully realized band, Medosch and Co. decamped to Drop of Sun studios in the nest of the Blue Ridge Mountains to record with Asheville wunderkind Colin Miller, a critical voice behind the records of MJ Lenderman, Wednesday and Merce Lemon and a powerful songwriter in his own right. Three powerhouse days in late 2023 solidiﬁed writing work done by the band earlier that summer in the now defunct Haw Creek compound under Miller’s guiding suggestion.
The result is a portrait of a ripping band cresting towards the height of their powers, uniquely equipped to capture a wildly loving, barn-burning camcorder clip of a turbulent trip with your best friends, without dipping into nostalgia bait. Lyrically, Medosch’s utterances are both careful and excessive, the product of sifting through the rubble of classic good-time media, and ﬁnding what works for both her and her community to reach the heights of abandon.
“The Jackass theme song was actually a really big inﬂuence on the new album.”
The expansive personnel and continent spanning footprint of Florry casts a wide net for this community. Florry the band rolls deep in the herd of North American DIY, featuring Jon Cox (Sadurn, Son of Barb) on pedal steel, John Murray on electric guitar, Colin Dennen on bass, Will Henrikson on ﬁddle, Katya Malison (Doll Spirit Vessel) on Vox, and Joey Sullivan (Bark Culturr) on drums. Medosch’s recent move to Burlington Vermont entrenches the Philly born project ﬁrmly within the ranks of fellow alt-country upstarts Lily Seabird, Greg Freeman and Merce Lemon, and gives them a vantage just outside of Pennsylvania at the thresholds of New England and the Midwest. There is a new life breathed into this music that conﬁrms Florry as equally rooted in place work, and at home on the vast roads of America.
For listeners who fell in love with Florry’s infectious charm on sweeping tours with the likes of Kurt Vile, Real Estate, MJ Lenderman, Greg Freeman and Fust, ‘Sounds Like…’, provides a refreshing memento of the band that surely left them smiling. If the support behind ‘The Holey Bible’ provided validation for the insistent vision of these young artists, ‘Sounds Like’ ﬁnds them reveling in and honing their vocabulary. Praise from outlets like Pitchfork, Stereogum, Paste, and Brooklyn Vegan touched on the potential of their wild idiosyncrasies, and accurately predicted that their next steps would see them continuing to write their own story, like a 10 car pileup that you can’t take your eyes off if you tried.
Florry proves that they can let the car spin just out of control whenever they want, and you are welcome to ride shotgun while Medosch does donuts in the WaWa parking lot. The ceiling, it turns out, is truly the roof.
・Listen: open.spotify.com/artist/5b1DzFl2lTpE9v5fjAZ9kn