Protomartyr - Live in London (twice) - SOLD OUT

Name: Protomartyr - Live in London (twice) - SOLD OUT
Start: 2025-11-12T19:30:00+00:00
End: 2025-11-13T22:30:00+00:00
Location: ICA Institute Of Contemporary Art

Schedule

Wed, 12 Nov, 2025 at 07:30 pm to Thu, 13 Nov, 2025 at 10:30 pm

UTC+00:00

Location

ICA Institute Of Contemporary Art | London, EN

Upset The Rhythm presents…
PROTOMARTYR
MARCEL WAVE (Nov 12)
HONESTY (Nov 13)
Wednesday 12 November - SOLD OUT
Thursday 13 November - SOLD OUT
ICA, The Mall, London, SW1Y 5AH
7.30pm
PROTOMARTYR’s taut, austere rock was incubated in a freezing Detroit warehouse littered with beer cans and cigarette butts and warmed, feebly, by space heaters. Short songs made for short practices, and the band learned quickly not to waste time. Despite the cold, Protomartyr emerged with a sound that is idiosyncratic but relatable, hooky but off-kilter.
There’s a temptation to call it garage rock, but that doesn’t quite fit. With respect to the local predecessors, this isn’t the primitive stomp of The Dirtbombs or The Stooges’ greasy roar. Punk works, kind of, even if it leaves the hardcore kids confused. Post-punk suggests something too retro; indie rock, something too precious. What Protomartyr is, is “stuck between the cracks.” If that’s the case, though, they aren’t alone. Protomartyr’s economical rock elicits comparisons to possible antecedents like Pere Ubu or The Fall as well as local contemporaries like Frustrations or Tyvek. Singer Joe Casey’s dry declarative snarl serves as a reliable anchor, granting his bandmates — guitarist Greg Ahee, drummer Alex Leonard and bassist Scott Davidson — the opportunity to explore textures and reinforce the rhythm section.
Post-punk’s biggest inspiration, it seems, was its eagerness to demolish punk’s orthodoxy, to push against the arbitrary boundaries of genre — at least until it became one itself. For Protomartyr, inspiration usually arrives in the form of ideas or feelings, more than explicit musical references. By the time the band has shaped it to its needs, the source material is almost unrecognizable.
Protomartyr have released six studio albums since 2012, including albums on Hardly Art and Domino. This very special pair of shows at the ICA are taking place in celebration of the band’s 10th anniversary of their astonishing, landmark album ‘The Agent Intellect’.
http://protomartyrband.com/

MARCEL WAVE write eulogies for tragic actresses, ancient riverbeds and concrete obscenity. Their inaugural sonic instalment ‘Something Looming’ (Upset The Rhythm) is part trades club symphony, part itchy serenade, and part wistful lament. As their heady concoction of ‘Meades meets Pat-E-Smith meets Kirklees Borough Council’ gets prepped to be formally baptised on a dank stage near you. Featuring Flora Watters of Es, Christopher Murphy of Sauna Youth and brethren Oliver and Patrick Fisher of Cold Pumas, Marcel Wave are spearheaded by northern ink-slinger Maike Hale-Jones on vocals. Marcel Wave’s debut offering is a walk through a smoke-filled pub with yellowing wallpaper and all eyes on you. It’s a chronicle of the death of the docklands, the decline of industry, of the high street, of civic pride, of civilisations, of hopes and dreams.

https://marcel-wave.bandcamp.com

HONESTY is not a band in the traditional sense. With four core members - George Mitchell, Matt Peel, Josh Lewis and Imi Marston – and a rotating cast of collaborators which have included musicians and visual artists like Kosi Tides, Softlizard, Rarelyalways, Florence Shaw, and Liam Bailey, the Leeds-based collective emerged as an exercise in doing things differently on a journey towards self-acceptance. HONESTY’s vital debut album U R HERE, released back in February, melds influences that range from Mount Kimbie and My Bloody Valentine to Björk and Burial. The result is a subtly exhilarating take on club music that's become HONESTY's signature and the reason they're one of the most essential dance acts coming out of the UK.
https://honestyrhere.bandcamp.com/album/u-r-here