Pixie & The Party Grass Boys and Madeline Hawthorne

Name: Pixie & The Party Grass Boys and Madeline Hawthorne
Start: 2026-03-20T20:00:00-06:00
Location: The Filling Station

Schedule

Fri, 20 Mar, 2026 at 08:00 pm

UTC-06:00

Location

The Filling Station | Bozeman, MT

Pixie and The Partygrass Boys may be far from their humble
beginnings, but they still don't take themselves too seriously. What began as a group of ski bums playing house parties in the Cottonwood Canyons of Salt Lake City has evolved into a nationally touring band that always aims to have the
most fun possible. Along with the skill and expertise that comes from nearly a decade of performing together, they bring the energy of closing weekend at your favorite ski resort to the stage. They have captivated audiences across the nation with their unique blend of heartfelt songwriting, high velocity instrumental excellence, silly outfits, and sing-along anthems. Pixie and The Partygrass Boys invite the audience into their world every time they take the stage, hoping to share a piece of the magic they've found on the mountain tops and in the desert canyons of their Utah home.
Pixie and The Partygrass Boys have been touring extensively
since the release of their 2018 debut EP "Utah Made," becoming a
five-year fixture at WinterWonderGrass as well as gracing the stages of High Sierra Music Festival, Gem and Jam, Delfest, Jam Cruise, Hangtown, Sawtooth Valley Gathering, Bourbon and Beyond, and countless venues across the USA. They have supported such prestigious acts as Billy Strings, The Infamous
Stringdusters, The Brothers Comatose, and Lake Street Dive.
The miles we travel make up the stories we tell.
The soles of your favorite boots or the tread on your prized
car’s tires soak up the experiences and wisdom of the road under your feet. Born in New England, based in Bozeman Montana, singer, songwriter, and multi-instrumentalist Madeline Hawthorne pens the kind of tunes you listen to on a cross-country trek to start anew or in the dead of night when you just need a reminder that somebody’s listening. In this respect, her 2024 independent album, Tales From Late Nights & Long Drives, serves as a fitting soundtrack to life’s trip. “It’s the perfect road trip record,” she affirms. “It was mostly written while I was on tour. If the songs were written at home in Montana, I took inspiration from journal entries and memories of my travels. This is me stepping onto the stage with more miles under my boots. I’m giving into the moment and the melody to tell a story. It’s like eleven different
versions of me—a woman I could have been, a woman I perhaps thought I was, and a woman I hope to be someday.”
Obsessed with music since her childhood on the East Coast,
Madeline planted roots in Bozeman, MT during college and never turned back. She honed her talents through countless backup and band gigs before going solo amid the Global Pandemic. Balancing Americana, roots, folk, and rock, she introduced herself on the 2021 LP, Boots, co-produced by Brad Parsons and Tyler Thompson in Pittsburgh. In between, she shared the stage with everyone from Jason Isbell, Lukas Nelson, Josh Turner, and Kip Moore to Sierra Hull, John Craigie, and Nathaniel Rateliff. Plus, she wowed audiences at festivals such as Treefort Music Festival (ID), Americanafest (TN), WinterWonderGrass (CO), Pak City Song
Summit (UT), Roseberry Music Festival, (ID), and more. Earning acclaim for tracks like 2023’s “Neon Wasteland,” Relix applauded her “vibrant and buzzing.” Hawthorne has also caught the eye of CMT, who featured her “Neon Wasteland” video at CMT.com and she has received praise from tastemakers such as No Depression who says, “She’s been crushing rootsy tunes.” Eventually, she decamped to Bear Creek Studios for ten days to record Tales From Late Nights & Long Drives alongside producer Ryan Hadlock [Zach Bryan, The Lumineers].
“I was fully immersed in the experience,” she recalls. “I went for a walk every day, wrote in my journal, and spent a nice amount of timewith the spirits of artists who have worked there before me. I appreciate that Ryan put my acoustic guitar first in the arrangement. He felt it was important for listeners to hear the songs with the instruments of origin driving the vibe
and feel of the music.”