ORGAN SEQUENCES XXVII ( Rebecca Lane - PHAROAH CHROMIUM - Clara de Asís - ゴマサン )

Name: ORGAN SEQUENCES XXVII ( Rebecca Lane - PHAROAH CHROMIUM - Clara de Asís - ゴマサン )
Start: 2025-08-24T18:30:00+02:00
Location: Taborkirche (Berlin-Kreuzberg)

Schedule

Sun, 24 Aug, 2025 at 06:30 pm

UTC+02:00

Location

Taborkirche (Berlin-Kreuzberg) | Berlin, BE

𝐎𝐑𝐆𝐀𝐍 𝐒𝐄𝐐𝐔𝐄𝐍𝐂𝐄𝐒 𝐗𝐗𝐕𝐈𝐈
Twenty seventh chapter of a DIY series dedicated to organ
Taborkirche
Taborstraße 17, 10997 Berlin-Kreuzberg

Rebecca Lane
_________
Pharoah Chromium
_________
Clara de Asís
_________
ゴマサン plays Unknown »Armenian Organ Works«

Cerbère 6.00pm
Hadès (SHARP) 6.30pm
Damage 10+

Rebecca Lane explores intonation as a social and perceptual practice, focusing on just/rational intonation and the relational aspects of sounding/activating this material with others. Utilizing various flutes (in particular, Kingma System quarter-tone flutes), she cultivates ongoing relationships with composers (such as Catherine Lamb), collaborations (like distances bending with Clara de Asís) and within various duos and ensembles (including Harmonic Space Orchestra),
https://discreeteditions.bandcamp.com/album/distances-bending

Pharoah Chromium, named after a song by the band Chrome, is a project by German-Palestinian musician and sonic performer Ghazi Barakat. He has released albums on labels such as Grautag, Deep Distance and Labelle69 and has collaborated with Günter Schickert, Vincent Epplay and Osman Arabi among others.
https://pharoahchromium.bandcamp.com/album/jean-genet-quatre-heures-chatila

Clara de Asís (b. 1988, Spain) is an artist and experimental composer engaged with the correlations of acoustics, temporality and the praxis of attention. Her work addresses questions regarding sound perception and how it is shaped by specific social and material contexts. She uses electronics and sound synthesis along with idiosyncratic combinations of found objects and traditional instrumentation; and creates works of different formats encompassing performance, audio pieces and installations.
In addition to her solo practice, she has created a wide variety of works in association with other artists, including interdisciplinary collaborations in film and dance. She has performed extensively across Europe, the United States and South America; and has been an artist-in-residence at Experimental Sound Studio (Chicago), Tsonami (Valparaíso), Q-O2 (Brussels) and EMS (Stockholm), among others. She curates and runs the publishing platform Discreet Editions and is a co-artistic director for the Göteborg Art Sounds festival. She is currently based in Rotterdam.
https://discreeteditions.bandcamp.com/album/distances-bending

ゴマサン aka Romain C. Bertheau (b.1983)
Composer, organist, pianist, harpsichordist, noise musician (no-input mixer) and Vaporwave artist.
In 2014, he left Europe for Asia, where he recorded traditional music. Back in Europe in 2019, he resumed his career as a performer and composer. His work focuses mainly on the organ and the no-input mixing board.
Lives actually in Java island and Berlin.
https://romainbertheau.bandcamp.com/album/anatomy-of-a-bird