OLD CROW MEDICINE & GOV'T MULE - Apopka

Deuterman Productions Presents: OLD CROW MEDICINE SHOW & GOV'T MULE

OLD CROW MEDICINE SHOW: On their whirlwind new album Paint This Town, Old Crow Medicine Show offer up a riveting glimpse into American mythology and the wildly colorful characters who populate it. The most incisive body of work yet from the Nashville-based roots band—a two-time Grammy Award-winning juggernaut whose triumphs include induction into the Grand Ole Opry and double-platinum certification for their iconic hit single “Wagon Wheel”—the album pays homage to everyone from Elvis Presley to Eudora Welty while shedding a bright light on the darker aspects of the country’s legacy. Fueled by Old Crow’s freewheeling collision of Americana, old-time music, folk, and rock & roll, Paint This Town relentlessly pulls off the rare and essential feat of turning razor-sharp commentary into the kind of songs that inspire rapturous singing along.

In a major milestone for Old Crow, Paint This Town marks the first album created in their own Hartland Studio: an East Nashville spot the band acquired in early 2020 then transformed into a clubhouse-like space custom-built to suit their distinct sensibilities. “Over the years we’ve spent a lot of time and money in professional studios, but this was the first time we’d worked in our own place since back in the late ’90s, when we’d hang a microphone from the rafters and record a cassette on our TASCAM 4-track,” says frontman Ketch Secor. Co-produced by the band and Matt Ross-Spang (a producer/engineer/mixer who’s worked with the likes of John Prine and Jason Isbell), Paint This Town also took shape from a far more insular process than their past work with such producers as Don Was and Dave Cobb (who helmed Old Crow’s most recent effort, 2018’s widely acclaimed Volunteer). Not only instrumental in allowing the band a whole new level of creative freedom, that self-contained approach helped to revive a certain spirit of pure abandon. “Doing it ourselves was a lot more fun with a lot less stress or pressure, and because of that we were way less precious about it,” says Secor. “It all just felt less like a chore and more like a complete joy.”

GOV'T MULE:
One wouldn’t think that in a career spanning more than 25 years and some 20 live and studio albums, there could possibly be anything left for a band to accomplish that could be considered a first. And when that band is Gov’t Mule, a group known for pushing the parameters while melding a variety of genres — rock, R&B, jam, funk, jazz, and practically everything in-between — it’s even more astonishing to think there’s anything that hasn’t already been attempted.

Indeed, Gov’t Mule have never been known to rest on their laurels or shy away from a new challenge. Theirs is a sound that feeds off spontaneity and improvisation, a signature style that pays little heed to expectation, predictability, or needless repetition. Consequently, it’s not so much surprising that they’ve opted to record an album focused solely on the blues, but rather the fact that they haven’t dared to do it before. That said, the band’s new album, Heavy Load Blues (released November 12, 2021 on Fantasy Records) marks yet another milestone in Gov’t Mule’s remarkable trajectory. Yet, it’s also been a project that guitarist, vocalist, songwriter, and consistent helmsman Warren Haynes has set his sights on undertaking for quite some time.

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Host or Publisher Deuterman Productions