Morgan Wade & John Moreland | Fargo, ND

Name: Morgan Wade & John Moreland | Fargo, ND
Start: 2024-07-20T19:00:00-05:00
Location: 1329 5th Ave N, Fargo, ND, 58102

Schedule

Sat Jul 20 2024 at 07:00 pm

UTC-05:00

Location

1329 5th Ave N, Fargo, ND, 58102 | Fargo, ND

Morgan Wade & John Moreland play UP District Festival Field on Saturday, July 20. Ticket presale begins Wednesday, April 17 at 10AM using code MWOBSESSED here → bit.ly/3UGqiIZ. Tickets on sale Friday, April 19 at 10AM here → bit.ly/3UGqiIZ.
All Ages | Gates at 5PM | Show at 7PM
One of Nashville’s fastest-rising and most critically acclaimed young stars, Morgan Wade released her much-anticipated sophomore album, Psychopath, Aug. 25via Sony Music Nashville. Possessed with a raw and unflinching voice anchored by a perfect tinge of twang; the rare ability to pen honest portraits of some of life’s most precious and painful and unpredictable moments; and an onstage vulnerability that so seamlessly breaks down the wall between fan and artist, Wade has quickly made her mark on the country music scene—and the music world at large. Her stunning 2021 debut album, Reckless, wash ailed as a critical triumph; it topped Rolling Stone’s Best Country and Americana Albums of 2021, with New York Times noting Wade “sounds like she’s singing from the depths of history.”
In 2022, Wade was nominated as the Emerging Act of the Year at the Americana Music Honors & Awards; in 2023, Wade was nominated for New Female Artist of the Year Academy of Country Music and performed at major-market festivals including Bonnaroo, Lollapalooza and Austin City Limits. While Reckless, and particularly its momentous lead single “Wilder Days,” busted down the doors and introduced Wade to a wider listenership, Psychopath is an astounding follow-up statement: the 13-track LP was crafted with the help of some of Nashville’s most extraordinary musical talents, from A-list songwriters (Julia Michaels, Natalie Hem by, Liz Rose, Lori McKenna) to studio musicians as well as Wade’s longtime producer Sadler Vaden.
After an impressive 2010s run of albums that earned him a devoted fanbase, accolades from outlets like The New York Times, Fresh Air, and Pitchfork, and a place in the upper echelon of modern Americana singer-songwriters, John Moreland has already taken two unexpected turns this decade, both of which highlight his fierce artistic independence. First, he released a brilliant and sonically layered folk-electronica meditation on modern alienation, 2022’s Birds In The Ceiling, that took some of his fans by surprise. Then, after wrapping up a difficult tour behind that record in November 2022, he stopped working entirely. He took an entire year off from
playing shows and didn’t use a smartphone for 6 months. “At the end of that year, I was just like ‘Nobody call me’. I needed to not do anything for a while and just process,” Moreland says. After nearly a decade in the limelight, constantly jostled by the expectations of his audience, the music industry, and anonymous strangers online, he carved out some time to rest, heal, and reflect for the first time.
The result of that unplugged year at home is 2024’s Visitor, a folk-rock record that is intimate, immediate, deeply thoughtful, and catchy as hell. Moreland recorded the album at his home in Bixby, Oklahoma, in only ten days, playing nearly every instrument himself (his wife Pearl Rachinsky sang on one song, and his longtime collaborator John Calvin Abney contributed a guitar solo), as well as engineering and mixing the album. “Simplicity and immediacy felt very important to the process,” he says.