More 4Play with Threshold Theater

Name: More 4Play with Threshold Theater
Start: 2026-04-24T19:00:00-05:00
End: 2026-05-03T20:00:00-05:00
Location: Bryant Lake Bowl & Theater

Schedule

Fri, 24 Apr, 2026 at 07:00 pm to Sun, 03 May, 2026 at 08:00 pm

UTC-05:00

Location

Bryant Lake Bowl & Theater | Minneapolis, MN

The end of the world. The morning after. A haunted housewarming. Undercover S&M. It’s More 4Play.
The four plays are:
“An Expansion” by Cayson Miles - As the sun expands, two young women meet to experience the end—together.
“Crater” by Scott C. Sickles - Josh was the one who got away—until he wakes up in Archie’s arms in a Vegas hotel room. The night before was great; the morning after is complicated.
“Susan Sontag Goes on a Date to The Mineshaft” by Kyle Therral Wilson - A playful imagining of a rumor that Susan Sontag once visited the infamous 1970s S&M bar The Mineshaft in disguise.
“Housewarning Party” by Richard Castle - Gay dads Artie and Raul visit their daughter’s new suburban home, hoping to repair their relationship—if they can ignore the house’s unsettling supernatural quirks.
Friday, April 24, 2026 – 7PM
Saturday, April 25, 2026 – 7PM
Sunday, April 26, 2026 – 7PM
Friday, May 1, 2026 – 7PM
Saturday, May 2, 2026 – 7PM
Sunday, May 3, 2026 – 7PM
$10–$20 sliding scale at the door; $15 in advance
Directed by: James Knight-Zappa
Stage Managed by: Asa Gutow
Sets & Props Design: Jenna Mady
Lights & Sound Design: Nick Mrozek;
Costume Design: Aella Rose-Hill
Intimacy Coordinator: Mason Tyer
Featuring the cast of:
Sandi Flahn as IVY (An Expansion) / SUSAN SONTAG (Susan Sontag Goes on a Date to the Mineshaft)
Anya Naylor as AMANDA (An Expansion) / FRAN LEBOWITZ (Susan Sontag Goes on a Date to the Mineshaft) / RAVEN (Housewarning Party)
Dale O'Dell as JOSH (Crater) / ARTIE (Housewarning Party)
David Schlosser as ARCHIE (Crater) / RAUL (Housewarning Party)
Cole Strelecki as MR. ED (Susan Sontag Goes on a Date to the Mineshaft) / JOSH (Housewarning Party)
“Threshold continues to carve out space for new, queer-driven work, and…[a] reminder of why those stories matter.” – BroadwayWorld