Matt Maeson - A Solo Experience: That's My Cue Tour | Aggie Theatre | đ¨*LOW TICKET ALERT*đ¨
Schedule
Sat Jun 15 2024 at 08:00 pm
UTC-06:00Location
Aggie Theatre | Fort Collins, CO
Aggie Theatre Presents
That's My Cue Tour
MATT MAESON
SAT, 15 JUN 2024 at 08:00PM MDT
Ages: Guests Under 18 Require Accompanying Adult
Doors Open: 07:00PM
OnSale: Fri, 16 Feb 2024 at 10:00AM MST
Announcement: Tue, 13 Feb 2024 at 10:00AM MST
VIP Includes
⢠One general admission ticket
⢠Early entry into the venue
⢠Limited Edition Tour Poster; autographed by Matt Maeson
⢠Crowd-free merchandise shopping
⢠Official VIP wristband
MATT MAESON:
One of his generationâs most fearless singer/songwriters, Matt Maeson has endlessly proven the powerful impact of fully revealing his demons and damage. With the arrival of 2019âs Bank On A Funeral, the 29-year-old Virginia native made history as the first male solo artist to earn two #1 Alternative Radio hits from a debut album, thanks to the smash success of the unforgettably confessional singles âHallucinogenicsâ and âCringeâ (both of which went platinum). Now boasting over a billion streams, including his collaboration with Lana Del Rey on a remix of âHallucinogenics,â the Nashville-based musician returns with his sophomore album Never Had To Leaveâa revelatory body of work that embodies a newfound hopefulness, yet reinforces the raw intensity and unapologetic truth-telling that have defined Maesonâs music from the very start.
âThe reason I make music is I want my songs to help people feel justified in whatever theyâre feeling, especially if theyâre going through hard times,â says Maeson. âWhen I was 17 I started performing in prisons as part of my parentsâ prison ministry, and I realized what music could do as far as helping people feel dignified and less alone. It was a way of bringing light into one of the darkest possible places, and right away I knew I wanted to do that for everyone. Keeping that in mind has always motivated me to write as honestly as possible, without filtering anything out.â
Mainly produced by his longtime collaborator James Flannigan (MARINA, Broods), Never Had To Leave came to life in a series of free-flowing, highly experimental sessions in Nashville, Los Angeles, and Maesonâs former homebase of Austin. For help in shaping the albumâs chameleonic and combustible sound, Maeson enlisted musician-friends like drummer Rob Humphreys (Karen O, Jacob Banks) and guitarist Brennan Smiley of The Technicolors, ultimately arriving at a frenetic collision of rock-and-roll and folk and irresistibly gritty pop. âThis is definitely the most eclectic project Iâve ever done, which Iâm sure is a byproduct of how the last few years have been so touch-and-go and strange,â Maeson points out. (In keeping with the spirit of tight-knit collaboration, Maeson also commissioned the albumâs gorgeously surreal cover art from Jay Young, a fast-rising abstract painter he first met in church as a teenager.)
In many ways a meditation on beginning anew after a long period of struggle and self-destruction, Never Had To Leave speaks to the triumph of hard-won clarity and resilience. âTo me âNever Had To Leaveâ felt like a salute to the end of the era that had started with Who Killed Matt Maeson,â he says, referring to the 2017 debut EP. âItâs about coming back to yourself, and it felt right to name the album something that has a real sense of hope and redemption to it.â
On the slow-building and soul-stirring âA Memory Away,â Never Had To Leave takes on a stunning tenderness as Maeson opens up about the infinite complexities and nuances of love (âHereâs to the failures/Tears that weâve kept/Hereâs to the chaos/Hereâs to every fearful stepâ). âItâs about marriage and the ups and downs of itâthe never-ending fight to stay connected and to keep growing together,â explains Maeson, who co-wrote âA Memory Awayâ with esteemed songwriter/multi-instrumentalist Ethan Gruska (Phoebe Bridgers, Manchester Orchestra).
Although much of Never Had To Leave finds Maeson boldly embracing the present, some songs reflect on certain formative moments in his past. Meanwhile, the albumâs galvanizing lead single âBlood Runs Redâ brings Maesonâs ultra vivid storytelling to a dizzying recollection of the darker side of life on the road (âA the sun comes up shining down on the 10/I did too much living and Iâm dying again/I guess I lost my head at the Holiday Innâ). âI wrote âBlood Runs Redâ after Iâd finished about three years of off-and-on touring,â he says. âWhen youâre playing shows for thousands of people every night and getting that massive amount of validation, itâs easy to lose yourself and suppress whatever issues youâre dealing with. One of the ways I reacted to that was drinking every night until I could fall asleep, and then when I got home all the problems Iâd been avoiding just came rushing back.â
For Maeson, the making of âNever Had To Leaveâ fulfills the restless creativity thatâs relentlessly fueled his musical output. To that end, his past work includes such left-of-center projects as USERxâthe 2021 self-titled EP from his genre-blurring collaboration with hometown friend/producer Rozwell, which featured such diverse guests as Pusha T, Masego, West Banks, and Manchester Orchestra. As he reveals, the process of creating Never Had To Leave reaffirmed the need to work at his own pace and follow his instincts without compromise. âThis record taught me to take as long as I need to make the album I want, instead of pushing out something because of outside pressure,â he says. âIâve never been someone to try and force the inspiration; I think youâve got to go out and experience life to find something to write about. So for the most part, I just wait for the song to start writing itself, and hold onto the hope that itâll keep happening that way for the rest of my life.â
Thanks to that utter lack of calculation, Maesonâs songwriting has continually provided an essential outlet for artist and audience alike. âMusic has always been a way for me to express the things I canât say out loud to people or donât even know how to put into words yet,â he says. âBut the main reason why Iâm trying to do this as authentically as possible goes back to wanting to help other people feel understood. Itâs still so crazy to me that just by playing an A minor chord then a D and F, without any lyrics behind it, you can immediately make someone feel somethingâitâs like some kind of superpower, and I donât think Iâll ever take that lightly.â
Where is it happening?
Aggie Theatre, 204 S College Ave, Fort Collins, CO 80524-2811, United States,Fort Collins, ColoradoEvent Location & Nearby Stays: