Lydia Lunch & Marc Hurtado // support: Phal:Angst // Stadtwerkstatt Linz
Schedule
Thu, 22 May, 2025 at 08:00 pm
UTC+02:00Location
Stwst Stadtwerkstatt | Linz, OO
// tickets: https://club.stwst.at/events/lydia-lunch-and-marc-hurtado/« LYDIA LUNCH & MARC HURTADO plays SUICIDE and Alan Vega songs ».
Lydia Lunch has crossed paths with Alan Vega and Martin Rev of Suicide upon arrival in New York at age 16, late 70 SUICIDE The first show of which she attended was a real shock, a revelation on a new form of a concert, a total show, theatrical, free, violent. Since then, a close relationship, as much artistic than friendly, united them , Lydia Lunch performed on stage and on a record „Frankie Teardrop“ by Suicide and she sang a duet with Alan Vega in the album SNIPER by Alan Vega and Marc Hurtado in 2010.
Marc Hurtado, had already met Alan Vega and Lydia Lunch on his Etant Donnés ‘s RE-UP album Be in 1999 and he formed the project My Lover The Killer in 2013 with Lydia Lunch , with whom they recorded an album and play on stage.
Since 2014 Lydia Lunch and Marc Hurtado join forces for this event around Suicide and Alan Vega songs , it will be a kind of sonic „Blitzkrieg“ and a visual shamanic ceremony, where both artists will burn their souls in the volcanic heart of the music of Suicide and Alan Vega.
Lydia Lunch is a nomadic gypsy in eternal metamorphosis that almost lost her life for her art dozens of times in 35 years. Musician, writer, photographer and performance artist, she appeared in the New York music scene in 1977 with the project founder No Wave, Teenage Jesus and the Jerks. In search of inspiration and cooperation she worked with Karen Finley, Hubert Selby Jr, Nick Cave, William Burroughs or Virginie Despentes, she lived in New York, Brooklyn, New Orleans, San Francisco, Pittsburgh, Los Angeles, London. She has visited 656 cities to perform on stage for concerts, spoken word, installations in clubs, theaters and museums.
Marc Hurtado is a musician, performer, poet, painter, producer and filmmaker who co-founded the French duo ETANT DONNES with his brother Eric in 1977. He has made more than 20 albums and concerts around the world in places like Kitchen ( New York), the Fondation Cartier (Paris), the Centre Pompidou (Paris), the Sonar Festival (Barcelona), the Atonal Festival (Berlin), or Transmusicales (Rennes). Apart from this duo and solo project Sol Ixent, he has collaborated with many cult figures including Alan Vega, Genesis P.Orridge, Michael Gira (Swans), Gabi Delgado (DAF), Craig Walker ( Archive) , Pascal Comelade, Z’ev, Philippe Grandrieux, Christophe, Saba Komossa (Delkom), Mark Cunningham (MARS), Bachir Attar and the Master Musicians of Jajouka. His films were screened in Beaubourg Paris , FID Marseille, the French Cinematheque in Paris, the Locarno Film Festival, BAFICI Festival Buenos Aires, Mostra de Valencia and recently at the MoMA in New York, which also acquired his latest feature film „Jajouka, something good comes to you“ in his collection.
// Phal:Angst aus Wien verfolgen seit 16 Jahren mit Konsequenz und Lust am Sich-Weiterentwickeln ihre Vision von elektronischem Industrial und analogem Post-Rock.
Phal:Angst kommen ursprünglich aus der Do It Yourself Punk/Hardcore Szene der späten 90er und frühen 2000er und haben sich davon lediglich musikalisch entfernt: Neben allen Aspekten der Musik, der Organisation und der Veröffentlichungen hat die Band auch seit jeher ihre digitale Infrastruktur unter eigener Kontrolle. Mit der im linken Netzkultur-Aktivismus der späten 90er entstandenen Webplattform med-user.net stellt Bandelektroniker Angst einen alternativen, unkommerziellen digitalen Freiraum zur Verfügung, welcher seit jeher gern von Protagonist*innen der österreichischen Autonomen- & diy-Szene genutzt wird. Bei Phal:Angst ist alles immer auch politisch, insbesondere technologischer Fortschritt und Musik, ohne Plattitüden oder Zeigefinger. Daran hat sich für die Band seit ihrem Entstehen innerhalb der anarchistischen Szenen nichts geändert.
„Grindverklebte Wohlklangdepeschen aus dem Daseinsmorast:
Düsternis und Tagträumerei fanden selten so schön (und so österreichisch) den grundschwarzen Fleck zwischen Mogwai,
Nine Inch Nails und Godspeed You! Black Emperor“
(Paul Poet, Kino-Regisseur/Autor)
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