Kovács, Wuorinen, Bach, Schumann
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Béla Kovács / Hommage à J.S. Bach for Solo Clarinet (1994)
Charles Wuorinen / Bearbeitungen über das Glogauer Liederbuch (Arrangements Based on the Glogau Songbook) (1962)
Johann S. Bach / Contrapuncti I–IV from The Art of Fugue, BWV 1080 (1742–49)
Johann S. Bach / Trio Sonata from The Musical Offering, BWV 1079 (1747)
Robert Schumann / Piano Quartet in E-flat major, Op. 47 (1842)
Sooyun Kim, flute; Romie de Guise-Langlois, clarinet; Jennifer Frautschi, violin; Julia Glenn, violin; Marcus Thompson, viola; Clancy Newman, cello; Adam Neiman, piano
We commemorate Bach’s birthday with the Trio Sonata from his Musical Offering and a string quartet arrangement of the first four contrapuntal movements from his treatise The Art of Fugue. / The program opens with Béla Kovács’s Hommage à J.S. Bach (1994) for solo clarinet—a virtuosic work that weaves Baroque style together with modern techniques for an instrument unknown to the master himself. / Next, we present Charles Wuorinen’s 1962 Bearbeitungen über das Glogauer Liederbuch, transcriptions of pieces from the earliest surviving collection of medieval partbooks. / After the intermission, we concludes the concert with Schumann’s Piano Quartet in E-flat major, an enchanting masterpiece that seamlessly blends Romantic lyricism with strict contrapuntal techniques inspired by Bach.
Charles Wuorinen / Bearbeitungen über das Glogauer Liederbuch (Arrangements Based on the Glogau Songbook) (1962)
Johann S. Bach / Contrapuncti I–IV from The Art of Fugue, BWV 1080 (1742–49)
Johann S. Bach / Trio Sonata from The Musical Offering, BWV 1079 (1747)
Robert Schumann / Piano Quartet in E-flat major, Op. 47 (1842)
Sooyun Kim, flute; Romie de Guise-Langlois, clarinet; Jennifer Frautschi, violin; Julia Glenn, violin; Marcus Thompson, viola; Clancy Newman, cello; Adam Neiman, piano
We commemorate Bach’s birthday with the Trio Sonata from his Musical Offering and a string quartet arrangement of the first four contrapuntal movements from his treatise The Art of Fugue. / The program opens with Béla Kovács’s Hommage à J.S. Bach (1994) for solo clarinet—a virtuosic work that weaves Baroque style together with modern techniques for an instrument unknown to the master himself. / Next, we present Charles Wuorinen’s 1962 Bearbeitungen über das Glogauer Liederbuch, transcriptions of pieces from the earliest surviving collection of medieval partbooks. / After the intermission, we concludes the concert with Schumann’s Piano Quartet in E-flat major, an enchanting masterpiece that seamlessly blends Romantic lyricism with strict contrapuntal techniques inspired by Bach.
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Where is it happening?
Sanders Theatre, Bank of America, 45 Quincy St, Cambridge, MA 02138, United States
Event Location & Nearby Stays:
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Host or PublisherBoston Chamber Music Society
