Jules Leyhe & The Family Jules with Nancy Wright

Skip the shopping, sneak away from the family, and come on out for some great music!

We start with Jules Leyhe & The Family Jules. Jules is one of the world’s foremost blues slide-guitar players—so much so that even Premier Guitar magazine called his music “the best blues slide licks since Derek Trucks, maybe even Duane Allman.” His band is also top-notch - featuring Ian McArdle on keys, Isaac Schwartz on drums and renowned bassist Matt Roades. Join us as they pay tribute to the renowned Beatles.

Then we add Nancy Wright . Wright appeared on the Bay Area music scene in 1984 with the popular New Orleans Rhythm and Blues Band, Hot Links. Following a successful North American tour, Wright and Hot Links were tapped to perform with Swamp Boogie Queen Katie Webster, appearing on her Arhoolie Records release, “You Know That’s Right.” Wright and Webster also performed together at the Chicago Blues Festival and appear together on B.B. King’s album, “Blues Summit,” winner of the 1994 Grammy Award for Best Traditional Blues Album.

Wright spent the next two decades touring North America, Europe, and Asia with such artists as Elvin Bishop, Commander Cody, Johnny Adams, Earl King, Joe Louis Walker, and Maria Muldaur, and opening the top-grossing Jimmy Buffett Outpost Tour with harmonica player Greg “Fingers” Taylor. She recorded with B.B. King, Elvin Bishop, Joe Louis Walker, Little Charlie and the Nitecats, Mark Hummel and many others, and performed with top blues artists including Robert Cray, Bonnie Raitt, Pinetop Perkins, Hubert Sumlin, Lowell Fulsom, Son Seals, and Ike Turner. “I have been blessed to play with and learn from so many wonderful musicians,” says Wright.

“One of the hottest blues sax players in the business, she is known for powerful, soulful, fascinating playing.”
– John Orr, San Jose Mercury News

“One of the best horn blowers in the blues business . . . a singer and songwriter of high order.”
– Lee Hildebrand, Living Blues

“A naturally bluesy voice . . . reminiscent in its approach to Ruth Brown and Dinah Washington . . . she doesn’t just sing the blues, she feels them.”
– George “Blues Fin Tuna” Fish, Blues Blast Magazine

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