Jimmy Sullivan Quartet feat. Joel Frahm

Harmonic adaptability and rhythmic flexibility are the key attributes of any first-rate bassist. Though a native-born Virginian, Jimmy Sullivan has ascended to the top ranks of Music City's rhythm section comrades, proving himself a versatile and imaginative bassist on multiple occasions. He's excelled in numerous idiomatic sessions, though jazz remains a priority and key musical love. Still, he's flourished while working, recording and/or performing with such top country, rock and pop stars as Lee Ann Womack, Mark Collie, Ashley Campbell, and Mandy Barnett among others.
Sullivan grew up in Reston, Virginia. Despite not having any musicians in the family, Sullivan still became enamored with music at an early age. Teaching himself to play by ear, his early apprentice came as both a singer and instrumentalist. He performed in a choir while also playing piano and clarinet. But his primary instrument became bass at 15, where he began on electric. Soon came formal jazz studies at Northern Virginia Community college, where he obtained a two-year degree before transferring to Virginia Commonwealth University (VCU).
He's now a regular performer at Rudy’s Jazz Room working regularly with Music City jazz stalwarts like Stephanie Adlington, Annie Sellick, PT Gazell and Andrew Carney as well as international artists such as Laila Biali, Nicole Zuraitis, Alexis Cole, Carol Welsman and Matt Panayides. He's become good friends and consistently shared the bandstand with world class musicians such as Joel Frahm, Andy Reiss, Jody Nardone, Pat Bergeson, Marcus Finnie and Jordan Perlson.
Jimmy Sullivan's now acclaimed not only in Nashville but throughout the region and state as a topflight player. He's already won one Nashville Music Industry Award as Best Jazz Instrumentalist in 2018, and others are sure to follow. But most importantly, Jimmy Sullivan's ferocity on the bandstand, and joy and love of playing music are infectious, and anyone who sees and hears him will immediately discover it as well as the inspiring and motivational power of great performance.
For more than 30 years, Joel Frahm lived in New York City, working in jazz clubs, collaborating with other musicians, and honing his craft. He now lives in Nashville, where he continues to play the music he loves. His bold, inventive tenor sound has won fans in the U.S. and across the world. He has worked alongside Betty Carter, Kenny Barron, Freddy Cole, Dianne Schuur, Kurt Elling, Jane Monheit, Bill Charlap, Brad Mehldau, Matt Wilson, Cyrille Aimee, and many other top artists. He has played as a leader or sideman on more than 100 recordings and has appeared at jazz festivals in the United States, Europe, Israel, Canada and South America. In addition to his work as a performer, he has taught jazz classes in clinics at the University of North Carolina, the University of Connecticut, New York University, Wichita State University, the University of North Texas, Baylor University, Colorado State University, Furman University, the University of Toronto, the University of Michigan, Michigan State University, the University of Manitoba and others. He also has worked at the Monterey Jazz Festival’s Next Generation program; the Sant Andreu Youth Jazz Orchestra in Barcelona, Spain; the Dave Brubeck Institute in Stockton, California; the Center for Jazz Studies at the Israel Conservatory in Tel Aviv; the Czech Jazz Workshop in Prague; and the Siena Jazz Workshop in Italy. Joel grew up in Racine, Wisconsin and moved to West Hartford, Connecticut as a high school freshman, where he became part of the acclaimed Hall High School jazz band. It was there he developed a passion for jazz, exploring the music of jazz greats such as Art Blakey, Freddie Hubbard, Horace Silver and Wayne Shorter. In 1992, he received a bachelor's degree from the Manhattan School of Music.

This show is 21 and over only. All sales are final and we unfortunately cannot offer any refunds. Additional tickets may be available at the door on the day of the show even if it is sold out online.

Please try to arrive 15 minutes prior to the show start time. If you do not arrive within 45 minutes after the show start time on your ticket your seat may be resold to other patrons at the door. If you arrive after 45 minutes from the start time of the show and your ticket has been resold, although we cannot guarantee it, we will try our best to make space for you to attend the show.

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