Inaugural Susan and Barkley L. Hendricks Artist Lecture

The Nasher Museum has established the Susan and Barkley L. Hendricks Artist Lecture through a generous gift from Susan Hendricks, honoring the legacy of renowned portrait painter .

Designed to foster dialogue between artists, scholars, and the public, the annual series will bring influential contemporary artists to campus to discuss their work and its impact on culture and society. The inaugural lecture will feature acclaimed artist Mickalene Thomas in conversation with art historian Richard J. Powell, whose forthcoming book offers new perspectives on Black art and visual culture.

Registration is required.

Mickalene Thomas is a globally celebrated artist renowned for her vibrant and exquisite rhinestone-adorned portraits that boldly reimagine the representation of Black women in contemporary art. Her paintings and multimedia works take on the complex intersection of race, femininity and beauty through her distinctive vernacular that draws from art history, popular culture, African textiles, domestic spaces, personal histories and iconic moments to reimagine environments where Black women have often been overlooked or misrepresented. Working across painting, photography, collage, video and installation, Thomas creates layered compositions that explore complex themes of race, gender, identity, sexuality and beauty. By referencing figures like Manet, Matisse, and Picasso, she both honors and disrupts the Eurocentric art canon — placing empowered images of Black women at the center. Her work unapologetically challenges traditional beauty standards and amplifies narratives often excluded from mainstream art spaces, transforming how we see beauty and identity, while also redefining who gets to be seen, celebrated and remembered in the world of art and beyond.

Thomas’ work is part of the permanent collections at major institutions including The Metropolitan Museum of Art, New York, NY; The Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY; and the Smithsonian American Art Museum, Washington, D.C., solidifying her role as a leading figure in contemporary visual culture. Beyond her studio practice, Thomas is a visionary curator, mentor, creative director and educator. She actively supports emerging artists — especially women, LGBTQ+ creatives and artists of color — through mentorship, community engagement and inclusive curatorial work. She is also a Tony-nominated co-producer, further demonstrating the reach of her creativity across disciplines.

In 2023, Thomas made history as the first Black queer femme artist to have a scholarship endowed in her name at Yale University, her alma mater. This milestone reflects her commitment to fostering access and equity in the arts for future generations. Her influence only deepened in 2025 — a landmark year — in which she was named one of TIME100’s Most Influential People, became the first African-American artist to be honored with a major solo show at the Grand Palais in Paris and was the Keynote Speaker at Rutgers University-Camden’s Commencement. Most recently in 2026, Thomas received a Clio Award and the CPW Photographer of the Year award. She has also received prestigious accolades including the Gordon Parks Foundation Honorary Award, the Creative Capital Award, the Hirshhorn Museum’s National Arts Award, the Queens Museum Honoree distinction and RxART Innovation Award. She was named Honorary Co-Chair of the Dance Theatre of Harlem and was recognized at the NYC Health + Hospitals/South Brooklyn Health 150th Anniversary Gala for her monumental mosaic Freesia on My Mind: The Beauty of Ruth Bader Ginsburg, on permanent display at the Ruth Bader Ginsburg Hospital in Brooklyn.

Richard J. Powell is the John Spencer Bassett Distinguished Professor of Art & Art History at Duke University. Powell has organized numerous art exhibitions, most notably The Blues Aesthetic: Black Culture and Modernism (1989); Rhapsodies in Black: Art of the Harlem Renaissance (1997); To Conserve A Legacy: American Art at Historically Black Colleges and Universities (1999); Back to Black: Art, Cinema, and the Racial Imaginary (2005); and Archibald Motley: Jazz Age Modernist (2014). Powell has published books on a range of topics, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997, 2002 & 2021), Cutting a Figure: Fashioning Black Portraiture (2008), Going There: Black Visual Satire (2020), and Colorstruck! Painting, Pigment, Affect (2026). From 2007 until 2010, Powell was Editor-in-Chief of The Art Bulletin, the world’s leading English language journal in art history.

Image Credit: Mickalene Thomas, Lovely Six Foota (detail), 2007. C-print, 56 5/16 x 67 3/8 inches (143 x 171.1 cm). Collection of the Nasher Museum of Art at Duke University, Durham, NC, USA. Gift of Christen and Derek Wilson, T' 86, B'90, P'15; 2010.12.1. © Mickalene Thomas.