HANDMADE MOMENTS + MELISSA CARPER at Café Istanbul

• Sun, Dec 4, 2022
• DOOR 7:00 PM
• SHOW 8:00 PM
• $15 ADV / $20 DOS

Life’s trials and tribulations are a preparatory course of sorts, a journey of peaks and valleys on a long and winding road, and through the flames of adversity rises a phoenix. On May 21, 2016, Anna Moss and Joel Ludford, the duo of multi-instrumentalists that comprise Handmade Moments, were riding along a different road of sorts. On that fateful afternoon in Northern California, their beloved bio-diesel bus- that they spent six months laboring to build, and lived, toured and gigged in for nearly a year- was struck by two vehicles in a harrowing head-on collision. The resulting wreck required a Medivac for Ludford, who was severely injured from the waist down. He spent a month in the hospital, three more in a wheelchair. Moss herself had a concussion, two other passengers were injured as well, and all four called themselves lucky to be alive.

Up until that point, Handmade Moments was patiently making their way in the music world, products of a fertile art scene in Fayetteville, Arkansas, where they’d amassed a fervent and enthusiastic following. Born from the ashes of the rock band Don’t Stop Please, in 2014 the quirky, jazzy crew released a self titled debut Handmade Moments. A series of tours followed, and the prolific pair won hearts beyond the Ozarks, with that came 2015’s critically acclaimed Eye in the Sky. The hip-hop folk-roots group was gigging their way from Coast to Coast, and soon went international, venturing to South America, where they planted firm roots in Argentina. Their story seemed to be going along swimmingly, until one day, it wasn’t. Their home, vehicle, instruments, just about everything Moss and Ludford had worked so hard for- was destroyed, in merely an instant. But apparent from the moment Moss returned home from the hospital and began writing a song, the calamity had not extinguished their spirits. The ultimate reality check had arrived in death-defying fashion, and they’d live to sing the tale.

Ludford and Moss retreated into the nurturing bosom of Nevada City, CA area to recover, and begin the healing process the only way they knew how, through music. Over the next three months, these meditations and ruminations fueled the writing, recording, and realization of Paw Paw Tree, their third full length LP and Jumpsuit Records debut. That reclamation comes on May 21, 2018, as Moss and Ludford return weathered, stronger, and wiser for the time; two years to the day from the accident, emerging a bolstered and emboldened Handmade Moments. The diverse collection of songs is riveting from start to finish, an amalgam of their rock and jazz past, juxtaposed with Southern roots and folk DNA, scrambled together and evolved into the current continuum that reveals Paw Paw Tree.

Ornate instrumentation details the bedrock of their simple yet sophisticated songcraft, and endearing, intoxicating personality. Handmade Moments’ piercing lyricism and carousing croon both tell their own inspirational tale, and encompass larger themes that resonate within us all. This musical document unveils a myriad of tones, from walking upright bass to silky saxophone; it embodies an intelligent, progressive culture and celebrates a simple way of life. “Fighting a Mountain” imagines a friend stranded in raging waters, but you are unable to help, restrained by physical barriers. The title track envisions a post-apocalyptic world with desert farms, a pointed statement against input-reliant agriculture and rallying cry to restore the ecosystem. “Junkie” is not your typical lover’s lament, and uses muse and real life metaphor to emphasize emotions that know no bounds, until they are no more. Paw Paw Tree is filled with lyrical life lessons, statements on the state the union, and examinations of those fragile, human elements that define each and every one of us.

After the success of her critically-acclaimed 2021 release Daddy' s Country Gold, Melissa Carper, dubbed "HillBillie Holiday" by friend and collaborator Chris Scruggs, was eager to get back in the studio. With co-producers Andrija Tokic (St. Paul & The Broken Bones, Hurray For The Riff Raff) and Dennis Crouch (The Time Jumpers) behind the boards again at Tokic's analog paradise The Bomb Shelter in Nashville, Carper assembled that same crew of magical music makers -- plus a few more -- to embark on her newest effort, Ramblin' Soul, set for release November 18th via Thirty Tigers.

Carper's deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family's traveling country band in rural Nebraska. Her love of country classics was cultivated as she laid beneath the console listening to her parents' record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth. When Carper's father gifted her a collection of Jimmie Rodgers' recordings, she began to find her voice and calling as a songwriter.

Carper attended the University of Nebraska-Lincoln on a music scholarship, and spent much of her time in the music library, instinctively drawn to the great jazz classics and jazz vocalists such as Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole. She also discovered Lead Belly, uncovering a deep well within when singing his songs. Carper stands firmly on the shoulders of American ramblers, crooners, and songsters -- the building blocks of her musical foundation.

After two years of college, wanderlust set in, and Carper hit the road in the family's 1980 Dodge Maxi Van, and landed in historic Eureka Springs, Arkansas. There, she was welcomed into the busking community, and found a new home base -- a place to write, reflect, and rejuvenate in years to come. As she belted out the lyrics to "Ramblin' Man" life began to imitate art. Carper put a few hundred thousand miles on her vans and pick-up trucks, playing the streets and clubs of New Orleans, Austin, and even a stint in NYC as a founding member of The Maybelles. Magnetically pulled into the cultural heritage wherever she went, she immersed herself in the music of those who sang on those same street corners, and off the beaten path in times gone by.

Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations -- country, bluegrass, western swing, and old-style jazz, playing festivals and shows across the globe, and on shows like "A Prairie Home Companion." Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and partner, award-winning fiddler Rebecca Patek.

In 2020, grappling with the loss of regular gigs, Carper and Patek moved to a friend's farm near Austin, working in exchange for housing, organic vegetables, and fresh, country air. The simpler life afforded Carper the space and rejuvenation needed to channel her muse, and begin writing for her next album.

"I had a handful of songs about rambling around and living a free life that I wanted to weave through the album," Carper recalls. "I wrote the title track driving back home to Texas, and it felt like the seeds of the next album were planted. I also knew I wanted Ramblin' Soul to have a different feel than Daddy's Country Gold, with more upbeat and diverse styles and grooves."

Ramblin' Soul features a co-write with life long ramblin' buddy and bandmate Gina Gallina, a song penned by friend and frequent collaborator Brennen Leigh; a reimagined classic from folk pioneer Odetta; and ten Carper originals. The album ventures into blues, early rock and roll, and old school soul, along with Carper's signature styles of country, western swing, and jazz.

Album track "Ain't a Day Goes By" breaks your heart, then mends it again in the universal longing for a loved one now gone on. Backed up by Hammond B3 organ (John Pahmer), the emotion is punctuated by the gospel-style harmony stylings of Kyshona Armstrong, Nickie Conley, and Maureen Murphy. "1980 Dodge Van" heralds pulsing electric guitar and a grooving upright bass (Dennis Crouch) in an ode to the loyal family vehicle, while "I Don't Need to Cry" is a Patsy Cline-esque lament showcasing Carper's classic country range and songwriting finesse. The upbeat, tongue-in-cheek "Holding All The Cards" transports us to a smoky New Orleans speakeasy, with wordplay, honky tonk piano, and playful clarinet, while Carper pays an upbeat western swing tribute to her current home state in "Texas, Texas. Texas."

Carper's lifelong, steadfast listening has come to fruition in the songs on Ramblin' Soul. Her childhood love of the family record collection planted the seeds of what is her own bountiful orchard today.

Not unlike Loretta Lynn, Melissa Carper is giving us scenes and stories and vignettes that kind of play out between home and the honky-tonk - NPR"

Melissa Carper is one of the greatest classic golden era country singers and composers of this generation. A new batch of songs from Melissa Carper is something to smile and rub your hands together about like waiting for permission to cut into an apple pie. - Saving Country Music

Singer-bassist Melissa Carper sounds like a voice from a bygone era...Evoking the cool, smoky croon of a lounge singer, Carper gives some winking commentary about having a good time. - Rolling Stone Country

It's a tricky thing that Carper has done. She clearly revels in recreating the music of her heroes, carefully preserving the sense of romance and immediacy of the old classics. Yet by bringing her own experiences into the canon, she is unearthing a history that includes so many more of us, finally allowed to speak out through memories forgotten due to silence and taboo. - No Depression

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