Guy Davis

Name: Guy Davis
Start: 2026-05-07T20:00:00+01:00
Location: Crescent Arts Centre

Schedule

Thu, 07 May, 2026 at 08:00 pm

UTC+01:00

Location

Crescent Arts Centre | Belfast, NI

in association with Old Flattop
Genres: American Roots, Blues, Folk, Spoken Word, New Artistic Renaissance
Instruments: Vocals, 6 & 12 string guitar, harmonica, 5 & 6 string banjo, didgeridoo
GUY DAVIS is a two-time, back-to-back Grammy nominee for Best Traditional Blues, a musician, actor, author, and songwriter. Guy uses a blend of Roots, Blues, Folk, Rock, Rap, Spoken Word, and World Music to comment on, and address the frustrations of social injustice, touching on historical events, and common life struggles.
His background in theatre is pronounced through the lyrical storytelling of songs “God’s Gonna Make Things Over” about the 1921 Tulsa Race Massacre, “Welcome to My World”, and “Got Your Letter In My Pocket”.
His storytelling is sometimes painful, deep, and real, an earthy contrast to modern-day commercial music, meant to create thought, underlined by gentle tones from his guitar or banjo fingerpicking.
He recently added Broadway Composer to his CV by writing the incidental music for the recent Tony nominated revival of his father, Ossie Davis’ play, “Purlie Victorious”. Guy won “Keeping The Blues Alive” Award, and was nominated by The Blues Foundation for Best Song of the Year, Best Acoustic Album of the Year, Best Acoustic Artist of the Year, and Best Instrumentalist. In fact, he’s been nominated nearly two dozen times by the Blues Foundation.
Among hundreds of newspaper appearances, he’s also been featured in articles or reviews by New York Times, Village Voice, Boston Globe, Pulse Magazine, Blues Magazine, Acoustic Guitar, Dirty Linen, Songlines, Blues Blast Magazine, Living Blues, Down At the Crossroads, The San Francisco Chronicle, Playboy Magazine, National Public Radio (NPR), “Folk Alley”, and several Sirius channels.
When asked about his experience as a performer, Guy has replied, “There is no tale so tall that I cannot tell it, nor song so sweet that I cannot sing it’