Garso menininko ir tyrėjo Budhaditya Chattopadhyay kūrybinės dirbtuvės ir paskaitos
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2026 m. lapkričio 10–11 dienomis
LMTA Balkono teatre (Gedimino pr. 42, Vilnius)
GARSO MENININKO IR TYRĖJO BUDHADITYA CHATTOPADHYAY KŪRYBINĖS DIRBTUVĖS IR PASKAITOS
Indija / Norvegija
Post-archival Listening: From Sounds to Soundings
Lapkričio 10 d., antradienis
11:00–13:00 | Susitikimas su Budhaditya Chattopadhyay
14:00–17:00 | Kūrybinės dirbtuvės, garsų tyrinėjimas vaikštant, pokalbiai ir savirefleksija įrašant aplinkos garsus
Lapkričio 11 d., trečiadienis
11:00–17:00 | Studentų darbų pristatymas
18:00 | Bendras dalyvių pasirodymas
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Sounds are energies and social impulses that defy capture, control, categorization, and inscription. Post-colonial theorists and Decolonial critics of archiving consider large institutional archives and museums in the West as potential sites of conflict for centralizing the capture and storage of ephemeral experiences. They are recorded, technologically mediated, and objectified with an extractive relation to colonized lands and people as resources. These archives produce stagnant, often inaccessible, repositories of cultural capital through forced collection, quantification, and legislation that reduce experiences to scientific categories. The workshop and talks “Post-archival Listening: From Sounds to Soundings” departs from this critical position to offer diverse perspectives on the roles of archives, museums, and other institutional spaces of power today with control over narratives of culture and history. Broader questions are posed about the recordability of ephemeral experiences, such as sound as an object, proposing a multiplicity of listening positionalities and suggesting an epistemic shift from sound to listening and from production to reception. The workshop gathers diverse perspectives on a post-archival listening approach to turn the recorded objecthood of sound into acts of sounding; and incorporate a critical and self-reflexive attitude in field recording practice that is in attunement with the lived environments.
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Organizatoriai:
LMTA Kompozicijos katedra
LMTA Muzikos inovacijų studijų centras
LMTA Mokslo centras
Įėjimas nemokamas
Janno Bergmann nuotrauka. „Copper Leg“ kūriniui
www.lmta.lt
LMTA Balkono teatre (Gedimino pr. 42, Vilnius)
GARSO MENININKO IR TYRĖJO BUDHADITYA CHATTOPADHYAY KŪRYBINĖS DIRBTUVĖS IR PASKAITOS
Indija / Norvegija
Post-archival Listening: From Sounds to Soundings
Lapkričio 10 d., antradienis
11:00–13:00 | Susitikimas su Budhaditya Chattopadhyay
14:00–17:00 | Kūrybinės dirbtuvės, garsų tyrinėjimas vaikštant, pokalbiai ir savirefleksija įrašant aplinkos garsus
Lapkričio 11 d., trečiadienis
11:00–17:00 | Studentų darbų pristatymas
18:00 | Bendras dalyvių pasirodymas
-----
Sounds are energies and social impulses that defy capture, control, categorization, and inscription. Post-colonial theorists and Decolonial critics of archiving consider large institutional archives and museums in the West as potential sites of conflict for centralizing the capture and storage of ephemeral experiences. They are recorded, technologically mediated, and objectified with an extractive relation to colonized lands and people as resources. These archives produce stagnant, often inaccessible, repositories of cultural capital through forced collection, quantification, and legislation that reduce experiences to scientific categories. The workshop and talks “Post-archival Listening: From Sounds to Soundings” departs from this critical position to offer diverse perspectives on the roles of archives, museums, and other institutional spaces of power today with control over narratives of culture and history. Broader questions are posed about the recordability of ephemeral experiences, such as sound as an object, proposing a multiplicity of listening positionalities and suggesting an epistemic shift from sound to listening and from production to reception. The workshop gathers diverse perspectives on a post-archival listening approach to turn the recorded objecthood of sound into acts of sounding; and incorporate a critical and self-reflexive attitude in field recording practice that is in attunement with the lived environments.
-----
Organizatoriai:
LMTA Kompozicijos katedra
LMTA Muzikos inovacijų studijų centras
LMTA Mokslo centras
Įėjimas nemokamas
Janno Bergmann nuotrauka. „Copper Leg“ kūriniui
www.lmta.lt
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Where is it happening?
Gedimino pr. 42, LT-01110 Vilnius, Lithuania, Gedimino prospektas 42, LT-01110 Vilnius, Lietuva, Vilnius, Lithuania
Event Location & Nearby Stays:
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