film/theory: A Practice-Based Film Class

An Experimental Cinema Lecture & Study Series

Sundays, 6pm - 8:30pm
1/25 • 2/1 • 2/8 • 2/15

Film/Theory is a discussion- and practice-based class exploring what makes an 'experimental film', and how experimental cinema functions as a way of thinking, seeing, and asking questions, rather than telling stories.

Through shared readings, screenings, and conversation, this class introduces critical theory through the lens of film. Blending philosophy, art history, science, and alternative filmmaking practices, participants will engage with foundational texts and films that challenge narrative cinema, authorship, realism, spectatorship, and the mechanics of vision itself.

Rather than focusing on polished outcomes, this class emphasizes inquiry, experimentation, and accessibility, creating a supportive environment for participants to explore film as a medium of investigation.

• What defines 'experimental' cinema
• Film as inquiry, not explanation
• Seeing vs. viewing vs. looking
• Memory, movement, time, and perception
• The relationship between image, body, and meaning
• Accessible methods for experimental filmmaking
• Open feedback, discussion, and shared works-in-progress

Works by Henri Bergson, Gilles Deleuze, Roland Barthes, Laura Mulvey, Werner Herzog, Eadweard Muybridge, Bruce Lee, John Alec Baker, and others. Utilizing philosophy and film theory to movement studies and creative journals creates a broader understanding of the subject.

Films and archival materials by Abbas Kiarostami, Jim Jarmusch, Werner Herzog, Chantal Akerman-adjacent practices, Eadweard Muybridge, Yasujiro Ozu, Michel Brault, Michael Snow, Lars von Trier, David Lynch, Patricio Guzmán, and more, not just leaning on the experimental, but rather also documentary, essay film, and expanded cinema.

January 25th, Week 1: The Study of the Eye
Art, philosophy, science, and the mechanics of seeing

February 1st, Week 2: Camera Lucida
Viewing, seeing, and looking

February 8th, Week 3: Camera Obscura
Creating, finding, and capturing

February 15th, Week 4: Showing, Sharing, Translating
Presentation, feedback, and collective reflection

• Artists, filmmakers, and writers
• People curious about experimental cinema
• Those without formal film education
• Anyone interested in film as a way of thinking

No prior filmmaking experience required. All levels welcome. No supplies needed.

Info: Week 1: Art, philosophy, science, and the mechanics of seeing

Info: Week 2: Viewing, seeing, and looking

Info: Week 3: Creating, finding, and capturing

Info: Week 4: Presentation, feedback, and collective reflection

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Host or Publisher Asylum Collective