FILM | No One Asked You

Schedule

Thu Oct 24 2024 at 08:00 pm to 10:00 pm

UTC-04:00

Location

Ant Hall | Hamtramck, MI

Comedian Lizz Winstead (The Daily Show) and her team of activists from Abortion Access Front crisscross the U.S. to bust the stigma
About this Event

SYNOPSIS 

Comedian, disruptor-extraordinaire Lizz Winstead (co-creator The Daily Show) and her team of activists from Abortion Access Front crisscross the U.S. to support indie abortion clinic staff and bust stigma. Pop culture icons and next-gen comics fuel this six-year road film activating small-town folks to rebuild vandalized clinics, exposing wrongdoer politicians, domestic terrorists, and media neglect as the race to the bottom ensues. A bold call to action reminds us that when the patriarchy burns down, joy will prevail.

DIRECTOR’S STATEMENT

I saw this coming; the sea of misogyny that permeates our culture and conspires to take away healthcare and bodily autonomy from women. With the election of Donald Trump, I was devastated. Once the dust settled, I asked myself: What can I do? Among many issues, I was deeply concerned about what a Trump presidency would mean for reproductive rights, which have been chiseled away since 1973. It was clear, things were about to get much worse.

I had been following Lizz Winstead's work for years. Her groundbreaking political satire work as The Daily Show co-creator was unparalleled. After much success, Lizz gave up her dream job for true calling to fight for abortion rights. Lizz was the one with the megaphone and the new lens exposing the mounting hypocrisy. I met Lizz at Netroots Nation in 2012 on her book tour for Lizz Free or Die. Soon after, she founded Lady Parts Justice (now named the more gender inclusive Abortion Access Front) her audacious group of repro rights activists who use humor to battle misogyny and fight for repro rights.

When I saw Lizz on MSNBC on this particular day in late 2016, I realized: this was my story, my way of fighting back to defend repro rights through the lens of what Abortion Access Front were doing to help defend clinics and the people who work there to provide healthcare for women, often risking their own lives. This has been an invigorating film for me as an artist, a story that needed to be told about an issue that has been politicized beyond measure. One that I needed to make and so fortunate to be armed with the layered storytelling of political satire, multiple formats and mediums to help move a very complacent pro-choice population.

Like Lizz, I had an abortion as a teenager, and if I had not, I most likely would have lost my life at the hands of a violently abusive boyfriend. Both of us gave ourselves a chance at becoming who we are today with that decision just seven years after Roe v. Wade was passed. I had no idea what new ‘privilege’ I was given to save my own life at the time. Even as a lost 17 year old, I never regretted my decision. I am so thankful I was able to make that choice.

Decades before, my great-grandmother was less fortunate, when she perished from complications from a self induced abortion. The only breadwinner in her family, she simply could not afford another child, and instead left the three she already had, motherless. Her legacy and sacrifice guides me every day.

Why does our society shame and stigmatize abortion, when we live in a country that vastly supports it?

Although we knew this day would come, no one knew exactly how it would materialize and that the fall of Roe and Casey, would leave country full of progressives surprised that their constitutional rights would be stripped away. Our film looks at the underpinnings of how we got here, not just a divided country, but due in large part to the news media’s underreporting and neglect of women’s health and abortion access for decades.

Through Lizz, we capture the story that so many Americans thought was impossible with all of the comedy and outrage that it deserves. The timing for No One Asked You is clearly now.

ABOUT THE TEAM 

Lizz Winstead - Film Subject

As Co-creator and former head writer of The Daily Show, co-founder of Air America Radio, comedian Lizz Winstead helped change the very landscape of how people get their news. Winstead is not only a writer and creator, she was also a correspondent on The Daily Show and co-hosted Unfiltered, Air America Radio's mid-morning show, with Chuck D and Rachel Maddow.

Known as one of the top political satirists in America, Winstead is recognized by all the major media outlets including The New York Times, The Washington Post, O Magazine, and as Entertainment Weekly’s 100 Most Creative People. Winstead’s first book, Lizz Free Or Die: Essays, released in 2012, garnered incredible reviews. Ms. Magazine says, “Lizz Winstead is a sharp-witted truth-teller, and Lizz Free or Die will inspire anyone who has ever talked back to the television or wished they could come up with satire as insightful as The Daily Show.”

Lizz continues to do stand-up, and make appearances on cable news, yet spends most of her time helming Abortion Access Front AAF) an inclusive NYC- based reproductive rights organization she founded in 2015. AAF uses humor and outrage to expose anti-choice hypocrisy and mobilizes people to take action in all 50 states. Hosting the AAF podcast, Feminist Buzzkills is the perfect next step for Winstead combining her activism with her comedy. 


Ruth Leitman - Director 

Leitman is an award-winning filmmaker recognized for highlighting social justice issues in feature documentaries over the past 25 years, with the support of the Rockefeller Foundation, Paul Robeson Fund, TribeCa Film Institute, Fledgling Fund and Illinois Humanities Council. In 2016 she was named in British Film Institute, Sight and Sound Magazine’s The Female Gaze: 100 Overlooked Films Directed by Women. In 2015, she directed for Kartemquin Films’ Al Jazeera America documentary series Hard Earned, which was nominated for an International Documentary Association Award (2015) and won an Alfred I. duPont Columbia University Journalism Award (2016). Premiering at Tribeca Film Festival and Hot Docs, Lipstick & Dynamite (2005) won the Documentary Storytelling Prize at Nantucket Film Festival; was broadcast on SHOWTIME and featured on Jay Leno, Conan O’Brien and NPR’s Fresh Air and Morning Edition. Her immigration film Tony & Janina’s American Wedding (2010) premiered at Chicago International Film Festival won a jury prize as well as several social justice awards. Alma (1998) won the Documentary Feature Jury Prize at Hamptons Film Festival, screened at IDFA, SXSW, Director’s Guild of America and Whitney Biennial. Wildwood,NJ (1994) has enjoyed a second life as a viral film since 2009 and screened at Hot Docs, CHP:DOX and toured theatrically in the UK in 2015. Her early photography work was part of the current major exhibition, Underexposed: 100 years of Women Photographers at the High Museum of Art in Atlanta in 2021.  Ruth is developing The Pin-Down Girl, a fiction feature film based on her documentary Lipstick & Dynamite about the pioneers of women’s wrestling. 


Caryn Capotosto-Executive Producer 

Caryn Capotosto is a three time Emmy-winning documentary producer known for Won’t You Be My Neighbor? a feature documentary about Mister Rogers that won a 2019 Independent Spirit Award for Best Documentary, a Producers Guild Award and a 2018 Critics’ Choice Award for Best Documentary. She received a 2016 News and Documentary Emmy for her role as co-producer on Best of Enemies as well as a 2021 News and Documentary Emmy for her role as Executive Producer on the short documentary, The Love Bugs. She contributed to the Academy Award and Grammy Award-winning documentary, 20 Feet from Stardom (2013). Recent projects include the Emmy-nominated Netflix series Ugly Delicious (Executive Producer 2019) and the Emmy Award-winning documentary Feels Good Man (Producer 2021). Most recently she produced Little Richard: I Am Everything (2023) which opened the 2023 Sundance Film Festival and was released by Magnolia Pictures and CNN Films. Caryn produced the 2023 Critics Choice nominated The Thief Collector (2023), and produced the 2023 documentary Lil Nas X: I Am Everything. Caryn was an Executive Producer on the documentary series Anna Nicole Smith: You Don’t Know Me (2023) for Netflix and produced the Critics Choice Awards nominated The Thief Collector (Filmrise 2023). In 2019, Caryn founded the documentary production company Museum & Crane.


Hallee Adelman-Executive Producer 

Hallee is the co-founder of World of HA Productions, which supports films and filmmakers who encourage conversations, inspire change, or bring laughter for a better world. Hallee has served as EP on projects like The Social Dilemma, Writing with Fire, Invisible Beauty and Art & Krimes by Krimes. As a filmmaker, Hallee co-directed/produced Our American Family. She cares deeply about the next gen and making sure they feel empowered and be heard.


Rachel Rozycki - Producer

Rachel Rozycki is a Chicago based documentary filmmaker and producer whose work has aired on PBS, HBO, and is available on Netflix and Amazon. She Co-Produced the Kartemquin, and Ten Trees film Keep Talking  and was the Chicago/Midwest field producer for the documentary Student Athlete by award-winning filmmakers Trish Dalton and two-time Oscar winner Sharmeen Obaid-Chinoy. Rachel line produced Daniele Wilmouth’s short experimental dance documentary, I’m Fine and has also contributed to several Kartemquin films, including The Trials of Muhammad Ali, the multi-award-winning Life Itself, and the six-part series Hard Earned, which aired on Al Jazeera America. Rachel also teaches at Columbia College Chicago and is a member of the Documentary Producers Alliance.


Andrea Raby - Producer 

Andrea is a Chicago-based documentary filmmaker and producer. Her first documentary short, Sick, premiered at the Chicago Underground Film Festival. Her next short film, Undue Burdens, follows grassroots organizations fighting for abortion access in the past and present, using direct action to help patients access care. It was featured in Repro Film’s June 2022 Periodical and screened at the Beloit Film Festival and other fests around the US. Andrea was a Double Exposure Film Festival fellow with Undue Burdens. Her third short film, Strikers, follows a Wii bowling team at an assisted living facility as they compete to become four-year state champs. Strikers was supported by IF/Then and premiered at the Sarasota Film Festival, and is an official selection of Short of the Week. Andrea also produced A Galaxy Sits in the Cracks, Amber Love’s short documentary about Afrofuturism as a community organizing tool, and is currently producing Brian Lu’s feature documentary idols, following a K-pop dance crew in Madison, WI. As a commercial producer, Andrea has worked as a story, line, and post producer for clients including Radical Media, Conde Nast, Ogilvy, Dentsu Creative and Left Hook Media. She’s interested in stories that involve legacy, community, and purpose.


Giorgia Harvey-EditorGiorgia Harvey (she/her) is a Chicago-based documentary and commercial editor. Her first feature was Learning by Dewey in China, a documentary following students from different communities debating John Dewey’s pedagogical framework. Giorgia has edited theatrical trailers for a number of award-winning films, including The Area: a feature about a South Side Chicago community’s five-year fight for respect in the face of displacement, Stateville Calling: a feature exploring parole reform and the struggle of aging while experiencing incarceration, and Larry from Gary: a short about a dance teacher in Indiana inspiring students despite his school’s closure. Most recently, she worked with 3D footage on Westermann: Memorial to the Idea of Man if He was an Idea, a feature programmed by Art21 and featuring Ed Harris.Giorgia also edits at The Colonie, an award-winning post-production studio in downtown Chicago. Her commercial clients include Walgreens, NFL Players Association, WBEZ, and The University of Chicago. Bringing a deep appreciation for collaboration to each project, Giorgia is interested in furthering stories about the things no one wants to talk about, understanding that examining polarizing issues can remove shame and disrupt outmoded narratives. When she’s not trimming frames, Giorgia enjoys tap dancing, weaving tapestries, and loving on her dog, Penelope.

<h4>Elana Meyers-Editor</h4>

Elana Meyers is a documentary editor from New York City. In 2020, she graduated from Northwestern’s Documentary Media MFA with a short film that was granted the Carole Fielding Award and the Northwestern Graduate Research Grant. She worked as an additional editor and lead assistant editor on season 2 of the Emmy nominated show Taste the Nation with Padma Lakshmi, a series about the food and culture in immigrant communities around the U.S. Elana has worked on projects supported by ITVS, Tribeca, and the New York Foundation of the Arts. Her work has been exhibited at the University Museum of Contemporary Art, Mexico City and the Museum of Reclaimed Urban Space in NYC. Elana is drawn to political stories that are overlooked by mainstream media. Her work spotlights personal narratives to convey how societal structures intersect with human experience.


<h4>Shelly Westerman-Consulting Editor</h4>

Shelly’s work in films includes award winning and critically acclaimed features Nora Ephron’s You’ve Got Mail and Julie & Julia as well as independent favorites Velvet Goldmine and Jesus’ Son. She ventured into television with HBO’s acclaimed series The Wire  and won her first Emmy nomination for her work on Ryan Murphy's American Crime Story: The Assassination of Gianni Versace.  Other Emmy and Golden Globe nominated Murphy projects include Feud, American Horror Story, Pose, The Politician and Ratched. She worked as both Editor and Producer on Emmy winner Halston. She was an ACE and BFE nominee for her editing on Only Murders In The Building, Season 2, and worked as Editor and Co-Producer for Season 3.  She was recently a consulting editor on the documentary Raising Liberty Square which is enjoying success on the festival circuit.


Doors at 7p | Show begins Promptly at 8p | $13 online *

Attached bar Ghost Light opens at 7p

*Online sales end 1 (one) Hour before the start of a performance. If online sales are closed, there may still be tickets available for purchase at the box office.

Presented by Planet Ant

Planet Ant Theatre, Inc. is a 501c3 nonprofit organization; donations in support of our mission to provide vital resources to artists are accepted at planetant.com/donate.

Where is it happening?

Ant Hall, 2320 Caniff Street, Hamtramck, United States
Tickets

USD 15.71 to USD 26.38

Planet Ant theatre, Inc.

Host or Publisher Planet Ant theatre, Inc.

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