Drum Major Instinct with Katherine Young, Glasspack & Negar Soley

Name: Drum Major Instinct with Katherine Young, Glasspack & Negar Soley
Start: 2026-02-28T19:30:00-05:00
End: 2026-02-28T22:00:00-05:00
Location: The Perch Music & Arts Community

Schedule

Sat Feb 28 2026 at 07:30 pm to 10:00 pm

UTC-05:00

Location

The Perch Music & Arts Community | Philadelphia, PA

Drum Major Instinct with Katherine Young:
Drum Major Instinct is an experimental music duo from Asheville, North Carolina. Jeff Arnal plays (mostly) percussion and Curt Cloninger plays (mostly) modular synthesizer. The Wire describes Jeff’s drumming as a “highly original concept” having “a balletic sense of time and imaginative deployment of colour;” and Byron Coley says Curt’s modular synthesis “moves like blocks of radioactive adobe being shifted around by architects in space suits.” But, of course, nothing is ever that straightforward. The resultant music is about waves of energy, patterns within patterns (within patterns), sounds from the natural world, and running the voodoo down. Their self-titled first release is on Mahakala Music (2022) and their latest 2025 LP (entitled "Almost Nothing") is on Haunted Apparatus.
As a bassoonist and improviser, Katherine Young amplifies her instrument and employs a flexible electronics setup. She performs as a soloist, in ad hoc improvised groups, and with projects such as Beautifulish (duo with Sam Scranton) and Architeuthis Walks on Land (duo with Amy Cimini). Her debut solo album garnered praise in The Wire (“Bassoon colossus”) and Downbeat (“seriously bold leaps for the bassoon”). She has documented her work on numerous recordings, including her quartet Pretty Monsters self-titled debut, a duo recording with Anthony Braxton, and the multi-movement work "Diligence Is to Magic as Progress Is to Flight" (Parlour Tapes+) created with violinist Austin Wulliman of the JACK Quartet. Katherine is based in Atlanta, where she teaches composition, electronic music, and improvisation at Emory University. In 2021, she was awarded a Guggenheim Fellowship in Music Composition. As a scholar, she researches the incorporation of idiosyncratic electronics and improvisation in contemporary notated music.
Glasspack:
Glasspack is the collaborative project of Henry Birdsey (Tongue Depressor, Old Saw) and Ian McColm (Heart of the Ghost, Center). Comprised of bagpipes, computerized sound and an array of electronics, Glasspack reapproaches an historic instrument with a bevy of browser windows and the full weight of the semiconductor. Originally formed in 2022, Glasspack released their debut LP, Rarefied Airs, in 2025 on Stoned to Death Records. Their second full-length, Double for Horse Dancer, is due out in early 2026 from North Carolina imprint, Gateway Gardenia.Birdsey and McColm can be heard with a number of other ensembles and collaborators on releases from Dinzu Artifacts, XKatedral, Lobby Art Editions, Regional Bears, Three Lobed, No Quarter, and Ergot Records.
Negar Soley:
Negar Soley is an Iranian composer, vocalist, and interdisciplinary artist whose work explores multiplicity, memory, and the emotional landscapes of everyday life. Drawing from field recordings, improvisation, poetry, and the physicality of performance, her music moves between delicacy and intensity, guided by an interest in breaking containment and revealing the different selves that coexist within a single voice. She recently completed her studies at Wesleyan University, where she integrated pre-recorded materials, improvisation, and embodied performance, influenced by courses and faculty in experimental music, improvisation, and electronic music—especially SuperCollider—as well as her experiences in vocal and piano practice and her research into Morton Feldman, Frank O’Hara, and the expressive possibilities of quietness and multiplicity. In addition, deeply inspired by the textures of everyday life in Tehran, her hometown, she has navigated complex emotions of vulnerability, shame, and self-discovery through her field recordings. Currently residing in Philadelphia, she continues to work on composition projects and commissions while maintaining an active composer-performer practice.