Chicago Farmer & The Fieldnotes with Nick Ditmeier & The Sawdusters at Appleton Music Factory

Name: Chicago Farmer & The Fieldnotes with Nick Ditmeier & The Sawdusters at Appleton Music Factory
Start: 2025-05-02T20:00:00-05:00
End: 2025-05-02T23:00:00-05:00
Location: 603 W College Ave, 54914

Schedule

Fri May 02 2025 at 08:00 pm to 11:00 pm

UTC-05:00

Location

603 W College Ave, 54914 | Appleton, WI

7:30 - Doors
8:00 - Nick Ditmeier & The Sawdusters
9:00 - Chicago Farmer & The Fieldnotes
$15 - Advance / $20 - Day of
The son of a small-town farming community, Cody Diekhoff logged plenty of highway and stage time under the name Chicago Farmer before settling in the city in 2003. Profoundly inspired by fellow midwesterner John Prine, he’s a working-class folk musician to his core. His small-town roots, tilled with city streets mentality, are turning heads North and South of I-80.
“I love the energy, music, and creativity of Chicago, but at the same time, the roots and hard work of my small town,” he shares. Growing up in Delavan, Illinois, with a population less than 2,000, Diekhoff’s grandparents were farmers, and their values have always provided the baseline of his songs.
He writes music for “the kind of people that come to my shows. Whether in Chicago or Delavan, everyone has a story, and everyone puts in a long day and works hard the same way,” he says. “My generation may have been labeled as slackers, but I don’t know anyone who doesn’t work hard - many people I know put in 50-60 hours a week and 12-hour days. That’s what keeps me playing. I don’t like anyone to be left out; my music is for everyone in big and very small towns.”
He listened to punk rock and grunge as a kid before discovering a friend’s dad playing Hank Williams, and it was a revelation. Prine and Guthrie quickly followed. The name Chicago Farmer was originally for a band, but the utilitarian life of driving alone from bar to bar, city to city - to make a direct connection to his audience and listener, took a deeper hold.
Nick Ditmeier & The Sawdusters
Nick Dittmeier & the Sawdusters understand that to stay relevant, country and Americana—like any long-running musical genres—must be unceremoniously leveled from time to time. Blasted by a cold steel wrecking ball and reassembled into new forms atop the rubble. And what better moment for a scheduled demolition than with all of planet Earth in a holding pattern, straddling the deep chasm between past and future. Into this void arrives Heavy Denim, an album that artfully sidesteps any slavish, formulaic adherence to roots-music traditions.
“At the height of the pandemic” Dittmeier says, “it became clear to me that—with everything we’d been through—there was going to be a different mind coming out the other side. As a band, we decided we weren’t going to try to go back and replicate who we were, or the reality we were living before covid. A lot of people were fixated on getting back to quote-unquote normal, but to me it seemed pretty obvious that wasn’t even on the table.”
Forcing themselves out of their comfort zones, Dittmeier & the Sawdusters began stripping back their roots-rock bluster and leaving room for new textures: drum machines, loopers, synths. Heavy Denim finds Dittmeier and the Sawdusters fearlessly reinventing their sound. The album is in the tradition of Dire Straits’ spacey, synth-anchored early-’90s country curveball On Every
Street; Alabama Shakes’ transformation from gritty Southern neo-soul revue to danceable indie-rock darlings on Sound & Color; and the symphonic R&B and art-folk Sturgill Simpson wove on the astral loom that is A Sailor’s Guide to Earth. With its refreshing creativity and sonic adventurousness, Heavy Denim is one of those rare and wonderful records that expands the boundaries of its genre.