Chicago Farmer & The Fieldnotes

The Cedar Presents

Chicago Farmer & The Fieldnotes with Jack Klatt

Saturday, March 14, 2026 / Doors: 7:00 PM / Show: 8:00 PM

All Ages

Seated

This is a seated show with general admission, first-come-first-served seating. The Cedar is happy to reserve seats for patrons who require special seating accommodations. To request access accommodations, please go to our

For Cedar presented shows, online ticket sales typically end one hour before the door time, and then, based on availability, tickets will be available at the door. Tickets purchased at the door will include a $1 Eventbrite fee.

“After a few listens to the record it becomes apparent that Chicago Farmer has a refreshingly firm grip on where he comes from. The songs are covered to the elbows in dirt from the fields and smell of the sweaty factory floors. If the Midwest is looking for a voice, the search is over.” - No Depression

When taking on the moniker Chicago Farmer, singer-songwriter Cody Diekhoff aimed to not only showcase the dichotomy of his life and travels — growing up in the tiny Illinois farm community of Delavan, and calling “The Windy City” home for several years — he also wanted to honor his past through his uplifting, introspective melodies.

“My hometown kind of goes with me wherever I go,” Diekhoff says. “All the things I learned from my grandparents, I take that with me wherever I go. They’re always in my heart and in my mind.”

Which is why Diekhoff’s latest offering, Homeaid, puts a spotlight on the old soul nature and deep ethos of compassion and camaraderie that resides at the core of his being. A blend of Americana, indie-folk and roots-rock, the album swirls effortlessly into the ether of a modern world facing uncertain times.

“Home is where the art is/Home is where there’s song,” Diekhoff erupts on the title track. “It hits you the hardest/When you’re away from home too long.”

“If anything, I want my music to be genuine and authentic,” Diekhoff says. “My grandfather was a storyteller. He was a veteran, a family farmer, and he just collected stories. Hearing him tell all these stories definitely transferred over into my storytelling that’s in my music.”

Meandering through Homeaid, there are odes to teenage transgressions in the name of irresponsible enlightenment (“Tina Hart’s Mustang”), odes to the splendor and tragedy of growing older (“Sorry You’re Sick”), odes to nothing and everything (“Mattress”) — the cultivation of which being Diekhoff and his curious life, one remaining in perpetual motion, onstage and on the road.

“People come to watch it run when the sun went down/To raise a glass as it passed and hoist up the crown,” Diekhoff howls into the heavens. “Yeah, Tina Hart’s Mustang was the fastest car around.”

With Homeaid, it’s this true sense of self that’s felt when it comes to those cherished faces and vivid moments from your own past. Images, sounds, and feelings conjured with ease, usually while cruising down some backcountry road, windows rolled down, the sunshine of another bountiful day slowly falling below the horizon, the unknown night quickly emerging — this crossroads of sheer gratitude and endless inspiration.

“This is who I am now,” Diekhoff says of Chicago Farmer. “I represent both of these places, and I take a lot of pride in ownership of the name now.”

To learn more about CHICAGO FARMER:

• Visit their website here

Musical missionary and tireless troubadour Jack Klatt isn’t one to be easily categorized or relegated to a narrow niche. He comes across as a young man with a wizened and worldly perspective, an artist who possesses a timeless sensibility of both place and purpose. Yet, his artistic integrity extends to more than simply his songs. It embodies both execution and intent. The way he’s mastered his deft finger-picking technique and used that sturdy approach to bring his material an authenticity reminiscent of the most revered musicians and storytellers.

 A product of the nation’s heartland, Klatt was born and bred in the twin cities. He dropped out of college before spending the next six years pursuing his wanderlust and hitch hiking across the country with nothing but a backpack and a Martin guitar. He eventually made his way overseas, where he slept under the stars, traded songs for spending money, all the while, he made it his mission to proffer the songs of the American masters, in the process, he found himself captivated by the full gamut of archetypical American music, and began to refashion it to suit his own style.

 In 2019 he signed with Yep Roc Records and released his label debut It Ain’t The Same to critical acclaim.

To learn more about Jack Klatt:

• Visit their website here

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Host or Publisher The Cedar Cultural Center