Celebrating Recent Work by Susan Boynton

If you are a Columbia/Barnard affiliate with campus access, please use your Columbia/Barnard email when registering.

Each attendee must have their OWN registration and email address.

Registration for external guests closes at 4PM on November 19. Registration will automatically close at that time. Columbia/Barnard affiliates may register at the door.

by Susan Boynton

Liturgy of Empire examines the European reception of the neo-Mozarabic rite created under the patronage of the Archbishop of Toledo, Francisco Jimenez de Cisneros (1495-1517), in relation to the history of the Mozarabs of Toledo, the development of bibliophilia and libraries, the scholarly study of medieval liturgy, and the crusading ideology of Spanish expansionism in the Mediterranean.

During the emergence of Spain’s global empire, the editions of the Mozarabic rite entered collections throughout Europe. The provenance of the copies (studied here for the first time) reveals their mediation of knowledge about Iberian history and the political contexts for their acquisition.

About the Author

is Professor of Music and Director of the University Seminars at Columbia University. Her research interests include liturgy and music in medieval Western monasticism, particularly the abbey of Cluny; manuscript studies; music in the Iberian peninsula; music and childhood; and intersections of music with the visual arts. Boynton has published seven books. The first, Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000-1125 (2006), won the Lewis Lockwood Award of the American Musicological Society. Her second monograph, Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain (2011), won the Society's Robert M. Stevenson Award. Prof. Boynton coedited (with Diane J. Reilly) The Practice of the Bible in the Middle Ages (2011). Also coedited with Diane J. Reilly, Resounding Images: Medieval Intersections of Art, Music, and Sound (2015) won the American Musicological Society's Ruth A. Solie Award. Boynton's other coedited volumes include From Dead of Night to End of Day (2005), with Isabelle Cochelin, Musical Childhoods and the Cultures of Youth (2006), with Roe-Min Kok; and Young Choristers, 650-1700 (2008), with Eric Rice. Boynton also co-chairs the American Musicological Society’s Study Group on Childhood and Youth.

About the Speakers

is Professor of Music at Columbia University. His research interests include the Italian madrigal, the relationship between music and language in the early modern period, early opera, and Renaissance theories of cognition and sense perception. He is the author of Canoni ad Enigmi: Pier Francesco Valentini e l'artificio canonico nella prima metà del Seicento (Rome, 1995), and Music and the Myth of Arcadia in Renaissance Italy (Cambridge, 2009), which won the 2010 Lewis Lockwood Award of the American Musicological Society. His publications have appeared in the Journal of Musicology, the Journal of Medieval and Early Modern Studies, The Musical Quarterly, Studi Musicali, and Il Saggiatore Musicale.

is the Director of Graduate Studies and Associate Professor of Latin American and Iberian Cultures. Before joining Columbia’s Department of Latin American and Iberian Cultures in 2012, Seth spent two years as a member of Stanford University’s Mellon Fellowship of Scholars in the Humanities. During the 2018-2019 academic year, Seth was the John Elliott Member at the Institute for Advanced Study in Princeton, NJ. At Columbia, he is on the executive committee of both the Medieval and Renaissance Studies Program and the Institute for Comparative Literature and Society.

is a professor in the Department of Music at Boston College. Noone’s career as both music scholar and choral director has taken him to teaching, research, and performance posts at universities in five countries on four continents. He was educated at St Ignatius’ College, Riverview, before going on to the University of Sydney and King’s College, Cambridge. He has served as Chair of Musicology at the Australian National University’s School of Music and Chair of Music at the University of Hong Kong.

is a Professor of Music and Chair of the Music Department at Columbia University and the Founder of Columbia’s Louis Armstrong Jazz Performance Program. Chris Washburne has published numerous articles on jazz, Latin jazz, and salsa. His books include Bad Music: the Music We Love to Hate (Routledge, 2004), Sounding Salsa: Performing Latin Music in New York (Temple University Press, 2008), and Latin Jazz: the Other Jazz (Oxford University Press, 2020).

Please email [email protected] to request disability accommodations. Advance notice is necessary to arrange for some accessibility needs. This event will be recorded. By being present, you consent to the SOF/Heyman using such video for promotional purposes.

Know what’s Happening Next — before everyone else does.

Get App

Host or Publisher The Society of Fellows and Heyman Center for the Humanities