Cat's Cradle presents SUNFLOWER BEAN – Mortal Primetime Tour – with GIFT

Name: Cat's Cradle presents SUNFLOWER BEAN – Mortal Primetime Tour – with GIFT
Start: 2025-05-24T20:00:00-04:00
Location: Kings

Schedule

Sat, 24 May, 2025 at 08:00 pm

UTC-04:00

Location

Kings | Raleigh, NC

Cat's Cradle presents
Sunflower Bean – Mortal Primetime Tour
with GIFT
Saturday, May 24
Doors: 7pm | Show: 8pm
Kings | Raleigh, NC
TICKET LINK: https://www.etix.com/ticket/p/88256225/sunflower-bean-mortal-primetime-tourwith-gift-raleigh-kings-cats-cradle-presents
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Tickets for the “Mortal Primetime Tour” go on sale Friday, January 31st at 10:00 a.m. local time. Sign up for access to the artist pre-sale on the band’s website. For select dates (Brooklyn, Washington D.C., Houston, Phoenix, and Seattle), tickets will be available via Ticketmaster, with a Spotify pre-sale launching a day early.
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As a first taste (ha!) of the new set of songs, “Champagne Taste” sees the band at their most angular and in-your-face. With fuzzy guitar tones, hard-hitting drums, and a vocal performance that’s both melodic and full of spunk, it’s a ripper of a tune that proves the band is returning as determined as ever. Watch the music video for “Champagne Taste” on YouTube:

Time marches relentlessly on, but it can pass unnoticed unless you find a way to capture it. For the entirety of their remarkable career, Sunflower Bean has made monuments of fleeting moments, by turning them into art, bottling them as song. They broke onto the scene as teens wise beyond their years with Human Ceremony, captured the melancholia of nascent adulthood on Twentytwo in Blue, and confronted the alienation of life under late capitalism on Headful of Sugar. Now in their Saturn Return, the band is back with the most hard-fought and vulnerable album of their career: Mortal Primetime. “You get to decide what your prime is, and you fight for it,” Cumming says. “This is ours, and that can’t be taken away by circumstance. We can’t take it away from each other. This moment, where we are now, is what we’ve always fought for.”

That confidence is earned, because Mortal Primetime almost didn’t happen. In the years since Headful of Sugar, the members of Sunflower Bean drifted from one another as they pursued new projects and confronted personal challenges, tragedies and transformations. Synonymous with New York, the band lost guitarist/vocalist Nick Kivlen to California, leaving vocalist/bassist Cumming to write songs alone for the first time in the band’s history. Soon after, she separated from her long-time partner, informing much of her songwriting. Additionally, drummer Olive Faber birthed a new project, Stars Revenge, after coming out as transgender around the last album cycle. Despite the wealth of success they’d experienced together as a band – from the stages of Glastonbury and Lollapalooza, to touring with Beck, Interpol, and The Pixies – Sunflower Bean struggled to tend to their collective fire and tensions rose. The three friends grew up together and spent their twenties in the spotlight, but away from it, they struggled to make sense of who they were outside of Sunflower Bean. The future seemed finite – it felt like time was up.

“Coming close to losing something you fought for, for over a decade, is a really good way to get close to your heart as an artist,” Cumming says. “Every long-term relationship, experiences challenges – you either stop or you go deeper. What is a band but a relationship with a body of work?”

Reinvigorated, Sunflower Bean chose to keep the faith and go deeper. “Faith is just another word for a healthy dose of delusion,” Faber says. “We make good music together – how could we walk away from that?” All three original band members convened in Los Angeles, encouraged by the team that’s uplifted them from the very beginning. They doubled down by choosing to self-produce the album, tracking it live to ensure that the immediacy of the performances so essential to Sunflower Bean’s mystique shined through. “It’s such a rare and special thing for a band to have played together this long, so we wanted to lean into the skills we’ve built and take an old-school approach to the recording—which is maybe the most subversive thing we could do at a time when it’s so easy to copy and paste,” says Kivlen.

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