CAM Talk – Exhibition Series: Castaway: Mark Rothko on the Beach, by Adam Greenhalgh
CAM Talk – Exhibition Series: Castaway: Mark Rothko on the Beach, by Adam Greenhalgh
Saturday, August 1, 2026
2:00 p.m. – 3:00 p.m.
Downtown Campus Auditorium
27 Pleasant Street, Gloucester, MA 01930
Registration Required
This lecture will be recorded.
-------------------------------
Individual Lecture Tickets
CAM Members $5, Non-Members (Adult) $30. Additional prices available when registering.
Tickets do not include admission to the special exhibition.
Become a member and save!
---------------------------------
Mark Rothko did not like the beach. And yet it figures prominently, literally and figuratively, in his work. This lecture will trace Rothko’s engagement with the beach, from early watercolors made on Cape Ann alongside Milton Avery and Adolph Gottlieb to symbolic evocations in surrealistic paintings and drawings of the 1940s. His late abstract paintings of the 1960s also arguably reverberate like towering cliffs with the sounds of the shore. Rothko’s works will be considered alongside artists for whom the coast offered rich material, including Edvard Munch, Caspar David Friedrich, and J.M.W. Turner. The beach has long figured as a liminal zone well suited for symbolic treatments of existential themes—love, sex, death, spirituality. Rothko’s seaside subjects are no different.
Adam Greenhalgh is associate curator at the National Gallery of Art in Washington, DC. He has been lead author since 2015 of the catalogue raisonné Mark Rothko: The Works on Paper. His scholarship has appeared widely in journals, exhibition and collection catalogues, including contributions to Yes, No, Maybe: Artists Working at Crown Point Press (2013), which he co-curated; Three Centuries of American Prints from the National Gallery (2016); and Facture (2020), the National Gallery’s journal of technical art history and conservation. Most recently, he was curator of Mark Rothko: Paintings on Paper (2023) and author of the companion volume. He holds a PhD from the University of Maryland, an MA from Williams College, and a BA from the University of Virginia.
Image Credit: Philip G. Cavanaugh (1931–2022), "Mark Rothko on the beach in Provincetown, Massachusetts," 1958. © Philip G. Cavanaugh Estate.
Saturday, August 1, 2026
2:00 p.m. – 3:00 p.m.
Downtown Campus Auditorium
27 Pleasant Street, Gloucester, MA 01930
Registration Required
This lecture will be recorded.
-------------------------------
Individual Lecture Tickets
CAM Members $5, Non-Members (Adult) $30. Additional prices available when registering.
Tickets do not include admission to the special exhibition.
Become a member and save!
---------------------------------
Mark Rothko did not like the beach. And yet it figures prominently, literally and figuratively, in his work. This lecture will trace Rothko’s engagement with the beach, from early watercolors made on Cape Ann alongside Milton Avery and Adolph Gottlieb to symbolic evocations in surrealistic paintings and drawings of the 1940s. His late abstract paintings of the 1960s also arguably reverberate like towering cliffs with the sounds of the shore. Rothko’s works will be considered alongside artists for whom the coast offered rich material, including Edvard Munch, Caspar David Friedrich, and J.M.W. Turner. The beach has long figured as a liminal zone well suited for symbolic treatments of existential themes—love, sex, death, spirituality. Rothko’s seaside subjects are no different.
Adam Greenhalgh is associate curator at the National Gallery of Art in Washington, DC. He has been lead author since 2015 of the catalogue raisonné Mark Rothko: The Works on Paper. His scholarship has appeared widely in journals, exhibition and collection catalogues, including contributions to Yes, No, Maybe: Artists Working at Crown Point Press (2013), which he co-curated; Three Centuries of American Prints from the National Gallery (2016); and Facture (2020), the National Gallery’s journal of technical art history and conservation. Most recently, he was curator of Mark Rothko: Paintings on Paper (2023) and author of the companion volume. He holds a PhD from the University of Maryland, an MA from Williams College, and a BA from the University of Virginia.
Image Credit: Philip G. Cavanaugh (1931–2022), "Mark Rothko on the beach in Provincetown, Massachusetts," 1958. © Philip G. Cavanaugh Estate.
Where is it happening?
27 Pleasant St, Gloucester, MA, United States, Massachusetts 01930
Know what’s Happening Next — before everyone else does.
Host or PublisherCape Ann Museum
