Blitzen Trapper, Town Mountain, Low Cut Connie, and more on Mountain Stage

Available to Mountain Stage Members Friday, August 2 at 10a.m. ET
Public on sale Friday, August 9 at 10a.m. ET

Advance tickets: $25
Day of Show $30

All tickets to this show are e-tickets and will be emailed to you upon purchase. Open up the pdf and the QR code on your ticket will be scanned at the door. This event will also be offered as a livestream.

Mountain Stage livestreams are free, however, there are some incredible folks out there who’d like to show their support through a donation-based, pay-what-you-want “ticket” for the livestream. This is a donation-based “ticket” to show some love for the program and is not a ticket to the live event.

You’ll be able to catch the show from the comfort of your home (or wherever you wish) Sunday, November 10, 2024 – at 7 PM ET at mountainstage.org.

There are numbers so vast they exceed the scope of human reckoning, concepts so immeasurable they surpass our capacity to understand. On their radiant new album, 100’s of 1000’s, Millions of Billions, Blitzen Trapper make peace with the unknowable, surrendering themselves to forces beyond their control as they explore the infinite with a broad mind and an open heart.

Inspired by singer/songwriter Eric Earley’s fascination with Buddhist texts and meditation (the title comes from a phrase that appears over and over in the Mahayana sutras), the album offers a captivating take on rebirth and transcendence, and the circularity of existence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death. The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and unfolding like a riddle-filled journey that asks many questions and offers no answers. The production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and the result is a gorgeous, sprawling collection wrapped in lush layers of synthesizers and washed out electric guitars–a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once.

“This whole project grew out of a box of old four-track tapes from the ’90s that I found recently,” Earley explains of 100’s of 1000’s, Millions of Billions. “The tapes were full of songs I’d written and recorded back when I was 19 or 20 years old, and the sound and the spirit of those recordings got me excited to start writing music again, to go back to working the way I did when I was first starting out.”

Launched roughly two decades ago in Portland, OR, Blitzen Trapper garnered early attention with a series of self-released albums before breaking out internationally with a pair of critically acclaimed LPs (2007’s Wild Mountain Nation and 2008’s Furr) that would cement their status at the forefront of the modern indie folk revival. Rolling Stone hailed the band’s “hazy, psychedelic Americana,” while NPR praised their “explosive live performances and infectious roots-rock swagger,” and The New York Times compared their songs to Tom Petty, Bruce Springsteen, and Neil Young. Dates with Fleet Foxes, Wilco, and Dawes followed, as did festival appearances at Bonnaroo, Lollapalooza, Newport Folk, and Coachella, among others. In the years to come, the band would go on to release six more similarly lauded studio albums, culminating with 2020’s Holy Smokes Future Jokes, which Mojo proclaimed “sound[s] like the Beatles at Big Pink.”

Raw, soulful, and with plenty of swagger, Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances, whether in a packed club or at a sold-out festival. The hearty base of Town Mountain's music is the first and second generation of bluegrass spiced with country, old school rock ‘n’ roll, and boogie-woogie. It's what else goes into the mix that brings it all to life both on stage and on record and reflects the group's wide-ranging influences – from the Grateful Dead's Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle.

The Rolling Stone says “Call it an evolution or a revolution but its clear that Town Mountain is at the forefront.” Town Mountain features guitarist and vocalist Robert Greer, mandolinist Phil Barker, fiddler Bobby Britt, and Zach Smith on bass. Town Mountain's album New Freedom Blues (October 2018) is their second consecutive album to debut in the top 10 on the Billboard Bluegrass Chart, and receive multiple mentions by Rolling Stone, No Depression, Music Mecca, and more. Full of new material and featuring several guest artists including Tyler Childers and Miles Miller (Sturgill Simpson, drummer), they prove they have staying power by regularly cranking out authentic hit albums. The impression the band has made on fans is clear through their engagement at top tier festival appearances, and those sweet Spotify streams (30+ million). And if you still can’t get enough of this hard working group, you can look forward to new music in 2022.

TOWN MOUNTAIN RELEASE "DANCE ME DOWN EASY: THE WOODSTOCK SESSIONS EP" TODAY VIA NEW WEST RECORDS - Grateful Web

TOWN MOUNTAIN TAP INTO THE SPIRIT OF LEVON HELM (AND HIS BARN) FOR NEW EP - The Bluegrass Situation

Song Premiere: Town Mountain “So Far Away” and “Strangers” - Relix

Town Mountain to release "Dance Me Down Easy: The Woodstock Sessions EP" January 18 Via New West Records - Grateful Web

ALBUM REVIEW: On ‘Lines in the Levee,’ Town Mountain Strives for Songs That Matter - No Depression

Town Mountain Announces New Label, New Album, New Member - Saving Country Music

Taste Of Country premieres "Lines in the Levee" video

"It’s misnomer to call Town Mountain a bluegrass band, because although the quintet sticks to a mostly acoustic configuration and an authentic strain of quicksilver mountain music still threads through the group’s DNA, it’s more accurate to call them a mix of authentic storytelling country and primal rock ‘n’ roll. Accolades have flooded in for this Asheville combo, focusing on its fusion of tradition, transcendence and the experimentation." - Queen City Nerve

"Town Mountain’s natural way to capture an audience is like none other, with energetic sounds and fun and relatable lyrics, they knew how to get the Scruffy City moving despite the heat.” - Blank News

"Town Mountain is a band that is going places fast... They are magnetic and powerful. Good original songs and strong singing from Robert Greer. Go check them out." - Jerry Douglas

"Town Mountain aren’t out to reinvent the wheel, they’re like a new set of the finest tires that gives you a new ride. there’s no fat, no gratuitous notes, no extra stuff, just amazing songs, singing and playing from one of the best bands out there.... or maybe they are the new wheel." - Buddy Miller

"Mixing rock with honky-tonk and a Springsteen sentimentality, the North Carolina band is reshaping a strict genre" - Rolling Stone

“This record is all kink and no shame,” says Adam Weiner of ART DEALERS, the tough, sexy and tender new album coming from Low Cut Connie. “With Low Cut Connie, I try to create a safe space for you to just absolutely get your freak on.”

For years now, Low Cut Connie has built its grassroots coalition of oddballs, underdogs, and fun-loving weirdos with songs that celebrate life on the fringes of polite society. The band’s infamously wild, passionate live shows provide a total release - of stress, of inhibition, of shame - working up a primordial rock n roll sweat for fans to get blissfully soaked in. The new album, and its full-length companion film, sizzle with that same cathartic sweat, reminding us that it's time to get dirty again, and to feel alive. ART DEALERS sits at the intersection of sleazy and soulful - a collection of risky, romantic, life-affirming anthems, all dedicated to you.

“I think rock n roll exists to be a red-blooded, countercultural medium,” says Weiner, who has performed under the Low Cut Connie moniker for over a decade, "You're supposed to get your hair messed-up." That imperative comes through in the adults-only tone of songs like the opening “Tell Me Something I Don’t Know,” a sinuous, lurid rocker that sounds like walking through depraved Times Square in 1978 - neon-lit and nasty with a snapping beat. The speedy, fuzzed-up garage-rocker “Whips and Chains" calls out Trump and the current wave of neo-fascism, without ever losing its boogie rhythm section.

But there’s also tenderness behind the curtain here, as on the yearning first single "Are You Gonna Run?" and "Call Out My Name", which evoke the sweet sad love that punky boys like the New York Dolls and the Ramones used to have for tough girls like the Ronettes and the Shangri-La's.

The sounds throughout the record comprise a grimy modern urban landscape, a soulful but broken place that Weiner and his band (including rock n roll guitar hero, Will Donnelly, in his 9th year in Low Cut Connie) have been gravitating towards throughout the band's history. Weiner grew up amid the lawns and strip malls of suburban New Jersey, and his own teen dreams were lit up by the beacon of the big city, where he could shed his skin like so many artists before. “If you think about it, so many great artists who we associate with the city were actually bridge and tunnel people,” Adam said. “Patti Smith, Lou Reed, Springsteen. Debbie Harry, Robert Mapplethorpe. People who came from the burbs had this vision of what they could achieve in the city, what attracted them to this art life, who they could turn into and what impressions they could make - if they could just get there.” ART DEALERS is in many ways a tribute to that feeling at the pumping heart of the city - that enlightened buzz that can come in a packed hothouse of creativity and free expression. Songs like the Grace Jones styled "Take Me to the Place" and the penetrating title song point to all the people who cross those bridges, who choose the art life, who find their liberation on the edges of propriety.

ART DEALERS isn’t constrained by a gender binary, either. “When I’m onstage, I am the freest, most uninhibited version of myself,” Weiner explains. “It's total freedom of spirit and body. Over the years, that freedom has given me more confidence to write songs from a perspective that isn't necessarily male. I’ve slowly been walking toward a more gender-fluid voice with Low Cut Connie." Weiner's first steady gig at age 21 was as a piano-player in a drag karaoke bar in Manhattan called Pegasus, a seedy place where trans people, gay, straight and otherwise would gather around Weiner's piano in a benevolent yet fully debauched array. "There are so many songs that came out of that bar for me. Things like 'Shake It Little Tina [the single off of Low Cut Connie's Hi Honey album]" But it wasn't until ART DEALERS that he fully allowed himself to let the gender binary go so completely on songs like the upcoming single "Don't Get Fresh With Me," "Wonderful Boy," and "Sleaze Me On" (with its sweet refrain "Treat me like a modern girl!"). Says Weiner, "I have no idea the gender identity of those songs. And that feels real comfy for me, the 'not knowing'."

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