Auditions for DISNEY'S HUNCHBACK OF NOTRE DAME

Name: Auditions for DISNEY'S HUNCHBACK OF NOTRE DAME
Start: 2025-03-18T19:00:00-04:00
End: 2025-03-20T21:00:00-04:00
Location: Beacon Charter High School for the Arts

Schedule

Tue, 18 Mar, 2025 at 07:00 pm to Thu, 20 Mar, 2025 at 09:00 pm

UTC-04:00

Location

Beacon Charter High School for the Arts | Woonsocket, RI

RISE is thrilled to announce auditions for its final 24-25 MainStage production, DISNEY’S THE HUNCHBACK OF NOTRE DAME, a collaboration with ASSEMBLYACT and the ASSEMBLY THEATER.
WHEN:
Tuesday, March 18 and Thursday, March 20
7:00-9:00 PM, both days
Call Backs TBA if needed
WHERE:
Beacon Charter High School for the Arts
320 Main St., Woonsocket RI, 02895
REHEARSALS:
Sundays, 2:00-4:00
Tuesdays, 6:30-8:30 or 7:00-9:00 (will vary)
Thursdays, 6:30-8:30 or 7:00-9:00 (will vary)
PERFORMANCES:
June 20-28, 2025
6/20: 7:30
6/21: 7:30
6/22: 2:00
6/27: 7:30
6/28: 2:00 and 7:30
Performances will be held at the Assembly Theater, Harrisville, RI
DISNEY’S HUNCHBACK OF NOTRE DAME
Based on the 1996 Disney film and Victor Hugo’s 1831 novel, The Hunchback of Notre Dame tells the story of Quasimodo, the hunchbacked bellringer of Notre Dame, and his desire to be a part of the outside world. When he summons the courage to attend the Feast of Fools, he meets Esmeralda, a compassionate gypsy who protects him from an angry mob. At the same time, Quasimodo’s master, the archdeacon Dom Claude Frollo, and the new captain of the guard, Phoebus de Martin, both fall in love with the beautiful girl. Caught between the cruel Frollo and the danger posed by the Gypsies, will Quasimodo save Esmeralda from Frollo’s lust and anger? Will she return Quasimodo’s affection? Who is the true monster of Notre Dame?
Music by Alan Menken and Lyrics by Stephen Schwartz.
Book by Peter Parnell
Presented through special arrangement with Music Theater International (MTI). All authorized performance materials are also supplied by MTI.
www.MTIshows.com
Directed by Christian O’Neill
Music Director: Justin Simone
Choreographers: Sandy Clossick and Jane Allard
Stage Manager: Monica Blanchette
Producer: Mike Konnerth
WHAT TO KNOW/PREPARE
- While adapted from the beloved Disney film, please be aware the show is a darker and more mature version, closer to Victor Hugo’s novel. It features some adult themes, innuendo, and suggestive situations. Actors under the age of 18 may audition with the consent of a parent/legal guardian.
- No reservations are needed. Arrive anytime within the audition window.
- Dress comfortably; be prepared to dance.
- For most roles, please prepare a song in the style of the show that shows off your acting and vocal range. 16-20 bars is sufficient. Bring sheet music or an accompaniment track.
- Provide a resume and headshot along with your audition form, either in person or via our website at www.ristage.org. Please include ALL conflicts from March through June on your audition form.
- Please email Director Christian O’Neill at [email protected] if you have any questions or are unable to make the audition times. Video submissions will be accepted.
- RISE is a non-profit, non-Equity, volunteer-based theater company. All positions within the company are unpaid, unless otherwise specified.
CHARACTER BREAKDOWN
All roles are open. When specified, genders and ages pertain to the character; any actor may audition for any role.
QUASIMODO (M, late teens-20s)
The deformed bellringer of Notre Dame. Ringing the bells daily has left him partially
deaf but very strong. Lonely but big-hearted, naïve and shy, Quasimodo has a vivid imagination and unexpected courage. He has a halting speech when speaking to other ‘real’ characters, but his inner monologue and songs are free from this impediment.
Vocal range top: Bb4
Vocal range bottom: Bb2
CLAUDE FROLLO (M, 40s-50s)
Archdeacon of Notre Dame Cathedral, Frollo is pious and self-righteous. A strong,
imposing presence, his evil actions are driven by his tortured soul. Much of his inner turmoil is derived
from his attraction to Esmeralda, as well as the loss of his brother.
Vocal range top: F4
Vocal range bottom: G2
ESMERELDA (F, late teens-20s)
A strong and free-spirited Gypsy, Esmeralda is able to capture the attention of the multitudes, particularly when she is dancing. Underneath her showmanship, she is deeply compassionate with a strong sense of justice and morality. A strong, flexible dancer.
Vocal range top: Db5
Vocal range bottom: F3
CLOPIN TROUILLEFOU (20s-40s)
The clever and charismatic King (or Queen) of the Gypsies. Able to mesmerize a crowd, Clopin is an excellent master of ceremonies. An air of mystery surrounds this character, who boasts a dark, serious nature when not performing for the crowd.
Vocal range top: Bb4
Vocal range bottom: D3
CAPTAIN PHOEBUS DE MARTIN (M, 20’s-30’s)
Newly appointed Captain of the Cathedral Guard, Phoebus is dashing and charismatic, fun-loving and cocky. He also haunted by his memories of war, and conflicted when given orders that defy his strong moral compass.
Vocal range top: Ab4
Vocal range bottom: C3
JEHAN FROLLO (M, 20s-30s)
Claude’s reckless younger brother. Wild, passionate, and strong-willed.
Vocal range top: Eb4
Vocal range bottom: G#2
FLORIKA (F, 20s-30s)
A Romani woman and mother of Quasimodo.
Vocal range top: F5
Vocal range bottom: C#4
FATHER DUPIN (M, 40s-60s)
A priest of Notre Dame and Claude and Jehan’s guardian.
Vocal range top: A4
Vocal range bottom: C4
LIEUTENANT FREDERIC CHARLUS (M, 20s-40s)
Lieutenant of the Cathedral Guard and loyal friend to Phoebus.
KING LOUIS XI (M, 40s+)
King of France, nicknamed the Prudent.
TRIBUNAL (30s+)
A judicial officer.
Vocal range top: E4
Vocal range bottom: G2
MADAM (F, 30s+)
Owner of a brothel and safe haven for the Roma.
SAINT APHRODISIUS (M, 30s+)
A stained-glass image that comes to life.
Vocal range top: E4
Vocal range bottom: B2
THE CONGREGATION
DISNEY’S THE HUNCHBACK OF NOTRE DAME features a highly active ensemble called the Congregation. These are strong, dynamic performances who function as narrators and play multiple featured roles throughout the show. Most will have some soloist parts. Some skilled dancers are absolutely needed, but dancing will not be a requirement for everyone. Acrobatic skills are a plus (please note those on your audition form)!