American Aquarium at WOW Hall

Name: American Aquarium at WOW Hall
Start: 2024-11-08T21:00:00-07:00
Location: 291 W 8th Ave, Eugene, OR, United States, Oregon 97401

Schedule

Fri Nov 08 2024 at 09:00 pm

UTC-07:00

Location

291 W 8th Ave, Eugene, OR, United States, Oregon 97401 | Eugene, OR

On Friday, Nov. 8th the Community Center for the Performing Arts proudly welcomes American Aquarium to the WOW Hall.
Buy Tickets
https://www.ticketweb.com/event/american-aquarium-wow-hall-tickets/13466564
Doors Open 7 p.m.
Show Starts 8 p.m.
Tickets
Advance $25, Day of Show $30

Anywhere off Hatteras Island, Chicamacomico sounds made up, like some wine-drunk incantation or maybe a tongue twister—try to say it ten times fast. But as a former life-saving station built in 1874 on the Outer Banks of North Carolina, the name is perhaps the perfect metaphor and title for American Aquarium’s ninth studio album.
The Old North State is tattooed on the bones of front man BJ Barham, who has never lived more than two hours from his hometown in Reidsville. But, more so, what better to represent an album about loss than a place built to save the lives of shipwrecked mariners and passengers? Song as a sort of salvation is something Barham celebrates in, “All I Needed,” the final track on the record, and this speaks to what he hopes this album can do for the band’s established and growing fanbase. Sometimes when we’re drowning, music keeps us afloat.
For anyone who’s followed the band over the last sixteen years, Chicamacomico feels stripped down and bare-boned in its instrumentation. Far from that early blend of Southern and punk rock, there are few if any moments where the band floors the pedal and leaves the tires smoking in its wake. The orchestration here is dialed back leaving the lyrics to stand naked front and center. It’s reminiscent of Rockingham, Barham’s 2016 solo album, and this may be in part a result of producer Brad Cook, who produced both albums as well as the band’s 2015 record Wolves. But it’s likely more a sign of the maturing sound and expanding scope of a songwriter now fully comfortable and confident in his own skin.
With tracks tackling personal loss—the loss of his mother and grandmother, the loss of a child, the loss of youth and time and the creative spark that drives him—there was plenty of heavy lifting to be done. Barham has never been one to back away from the darkness or the more difficult subject matter. In fact, that has always seemed to be the place where he found his footing and thrived.
Few songwriters swing the hammer as hard and precise as Barham and it is a testament to the humility and trust of his bandmates—Shane Boeker, guitar; Neil Jones, pedal steel; Rhett Huffman, keys; Ryan Van Fleet, drums, and Alden Hedges on bass—that they take the back seat and allow his storytelling to drive us home. With a heavy tour the rest of the year and a backlist of brass-knuckled bangers that have always burned like wildfire, each will surely have their fair share of time at the wheel.
But as for this record, be thankful for the subtlety, for the stillness and for the quiet. Be thankful for the space it provides us to simply feel human. For ten songs, Chicamacomico will hold your head above water.